HARVARD CLASSICS iHEFIVE-FCOT SHELFOFBOOKS ESSAYS ENOLJSH AND AMERICAN COLLIER BBBI i Diiai HJQI THE HARVARD CLASSICS The Five-Foot Shelf of Books t J-^ THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. Essays English and American W//^ Introductions and Notes Volume 28 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 By p. F. Collier & Son Copyright, 1886 By James Russell Lowell By arrangement with Houghton Mifflin Company Copyright, 1889 By The Travelers Insurance Company of Hartford, Conn. Copyright, 1891 and 1899 By The Travelers Insurance Company manufacturkd in u. s. a. CONTENTS PAGE JONATHAN SWIFT 7 William Makepeace Thackeray THE IDEA OF A UNIVERSITY I. WHAT IS A UNIVERSITY? 31 II. SITE OF A UNIVERSITY 40 III. UNIVERSITY LIFE AT ATHENS 51 John Henry Newman THE STUDY OF POETRY 65 Matthew Arnold SESAME AND LILIES LECTURE I.— SESAME: OF KINGS' TREASURIES ... 93 LECTURE II.— LILIES: OF QUEENS' GARDENS . . .135 John Ruskin JOHN MILTON 165 Walter Bagehot SCIENCE AND CULTURE 209 Thomas Henry Huxley RACE AND LANGUAGE 227 Edward Augustus Freeman TRUTH OF INTERCOURSE 277 SAMUEL PEPYS 285 Robert Louis Stevenson ON THE ELEVATION OF THE LABORING CLASSES . .311 William Ellery Channing 2 CONTENTS PACE THE POETIC PRINCIPLE 371 Edgar Allan Poe WALKING 395 Henry David Thoreau ABRAHAM LINCOLN -429 DEMOCRACY 451 James Russell Lowell JONATHAN SWIFT BY WILLIAM MAKEPEACE THACKERAY INTRODUCTORY NOTE William Makepeace Thackeray, one of the greatest of English novel- ists, was born at Calcutta, India, on July i8, 1811, where his father held an administrative position. He was sent to England at six for his educa- tion, which he received at the Charterhouse and Cambridge, after which he began, but did not prosecute, the study of law. Having lost his means, in part by gambling, he made up his mind to earn his living as an artist, and went to Paris to study. He had some natural gift for drawing, which he had already employed in caricature, but, though he made interesting and amusing illustrations for his books, he never acquired any marked technical skill. He now turned to literature, and, on the strength of an appointment as Paris correspondent of a short-lived radical newspaper, he married. On the failure of the newspaper he took to miscellaneous journalism and the reviewing of books and pictures, his most important work appearing in Fraser's Magazine and Punch. In 1840 his wife's mind became clouded, and, though she never recovered, she lived on till 1894. Success came to Thackeray very slowly. "Catherine," "The Great Hoggarty Diamond," "Barry Lyndon," and several volumes of travel had failed to gain much attention before the "Snob Papers," issued in Punch in 1846, brought him fame. In the January of the next year "Vanity Fair" began to appear in monthly numbers, and by the time it was finished Thackeray had taken his place in the front rank of his profes- sion. "Pendennis" followed in 1850, and sustained the prestige he had won. The next year he began lecturing, and delivered in London the lectures on "The English Humourists," which he repeated the following winter in America with much success. "Esmond" had appeared on the eve of his setting sail, and revealed his style at its highest point of perfection, and a tenderer if less powerful touch than "Vanity Fair" had displayed. In 1855 "The Newcomes" appeared, and was followed by a second trip to America, when he lectured on "The Four Georges." After an unsuccessful attempt to enter Parliament, the novelist resumed his writ- ing with "The Virginians" (1857-59), '^^ which he availed himself of his American experiences. In January of i860 the Cornhill Magazine was founded, with Thack- eray as first editor, and launched on a distinguished career. Most of his later work was published in its pages, but "Lovel the Widower" and 6 INTRODUCTION the "Adventures of Philip" have not taken a place beside his greater work. In the essays constituting the "Roundabout Papers," however, he appeared at his easiest and most charming. After a litde more than two years he resigned the editorship; and on December 23, 1863, he died. Thackeray's greatest distinction is, of course, as a novelist, and an estimate of his work in this field is not in place here. But as an essayist he is also great. The lectures on "The English Humourists," of which the following paper on "Swift" was the first, were the fruit of an intimate knowledge of the time of Queen Anne, and a warm sympathy with its spirit. And here, as in all his mature work, Thackeray is the master of a style that for ease, suppleness, and range of effect has seldom been equaled in English. JONATHAN SWIFT^ By William Makepeace Thackeray IN treating of the English humourists of the past age, it is of the men and of their Hves, rather than of their books, that I ask permission to speak to you; and in doing so, you are aware that I cannot hope to entertain you with a merely humorous or facetious story. Harlequin without his mask is known to present a very sober countenance, and was himself, the story goes, the melancholy patient whom the Doctor advised to go and see Harle- quin — a man full of cares and perplexities like the rest of us, whose Self must always be serious to him, under whatever mask or dis- guise or uniform he presents it to the public. And as all of you here must needs be grave when you think of your own past and present, you will not look to find, in the histories of those whose lives and feelings I am going to try and describe to you, a story that is otherwise than serious, and often very sad. If Humour only meant laughter, you would scarcely feel more interest about humorous writers than about the private life of poor Harlequin just mentioned, who possesses in common with these the power of making you laugh. But the men regarding whose lives and stories your kind presence here shows that you have curiosity and sympathy, appeal to a great number of our other faculties, besides our mere sense of ridicule. The humorous writer professes to awaken and direct your love, your pity, your kindness — your scorn for untruth, pretension, imposture — your tenderness for the weak, the poor, the oppressed, the unhappy. To the best of his means and ability he comments on all the ordinary actions and passions of life almost. He takes upon himself to be the week-day preacher, so to speak. Accordingly, as he finds, and speaks, and feels the truth best we regard him, esteem him — sometimes love him. And, as his ' From "The English Humourists of the Eighteenth Century." 7 8 THACKERAY business is to mark other people's lives and peculiarities, we moralize upon his life when he is gone — and yesterday's preacher becomes the text for to-day's sermon. Of English parents, and of a good English family of clergymen, Swift was born in Dublin in 1667, seven months after the death of his father, who had come to practise there as a lawyer. The boy went to school at Kilkenny, and afterwards to Trinity College, Dublin, where he got a degree with difficulty, and was wild, and witty, and poor. In 1688, by the recommendation of his mother. Swift was received into the family of Sir William Temple, who had known Mrs. Swift in Ireland. He left his patron in 1694, and the next year took orders in Dublin. But he threw up the small Irish preferment which he got and returned to Temple, in whose family he remained until Sir William's death in 1699. His hopes of advancement in England failing. Swift returned to Ireland, and took the living of Laracor. Hither he invited Hester Johnson, Temple's natural daughter, with whom he had contracted a tender friendship, while they were both dependants of Temple's. And with an occasional visit to England, Swift now passed nine years at home. In 1709 he came to England, and, with a brief visit to Ireland, dur- ing which he took possession of his deanery of St. Patrick, he now passed five years in England, taking the most distinguished part in the political transactions which terminated with the death of Queen Anne. After her death, his party disgraced, and his hopes of ambition over, Swift returned to Dublin, where he remained twelve years. In this time he wrote the famous "Drapier's Letters" and "Gulliver's Travels." He married Hester Johnson, Stella, and buried Esther Vanhomrigh, Vanessa, who had followed him to Ireland from Lon- don, where she had contracted a violent passion for him. In 1726 and 1727 Swift was in England, which he quitted for the last time on hearing of his wife's illness. Stella died in January, 1728, and Swift not until 1745, having passed the last five of the seventy-eight years of his life with an impaired intellect and keepers to watch him. You know, of course, that Swift has had many biographers; his life has been told by the kindest and most good-natured of men, Scott, who admires but can't bring himself to love him; and by stout SWIFT 9 old Johnson, who, forced to admit him into the company of poets, receives the famous Irishman, and takes off his hat to him with a bow of surly recognition, scans him from head to foot, and passes over to the other side of the street. Dr. Wilde of Dublin, who has written a most interesting volume on the closing years of Swift's life, calls Johnson "the most malignant of his biographers": it is not easy for an English critic to please Irishmen — ^perhaps to try and please them. And yet Johnson truly admires Swift: Johnson does not quarrel with Swift's change of politics, or doubt his sincerity of religion: about the famous Stella and Vanessa controversy the Doctor does not bear very hardly on Swift. But he could not give the Dean that honest hand of his; the stout old man puts it into his breast, and moves off from him. Would we have liked to live with him ? That is a question which, in dealing with these people's works, and thinking of their lives and peculiarities, every reader of biographies must put to himself. Would you have liked to be a friend of the great Dean? I should like to have been Shakspeare's shoeblack — just to have lived in his house, just to have worshipped him — to have run on his errands, and seen that sweet serene face. I should like, as a young man, to have lived on Fielding's staircase in the Temple, and after helping him up to bed perhaps, and opening his door with his latch-key, to have shaken hands with him in the morning, and heard him talk and crack jokes over his breakfast and his mug of small beer. Who would not give something to pass a night at the club with Johnson, and Gold- smith, and James Boswell, Esq., of Auchinleck? The charm of Addison's companionship and conversation has passed to us by fond tradition — but Swift? If you had been his inferior in parts (and that, with a great respect for all persons present, I fear is only very likely), his equal in mere social station, he would have bullied, scorned, and insulted you; if, undeterred by his great reputation, you had met him like a man, he would have quailed before you, and not had the pluck to reply, and gone home, and years after written a foul epigram about you — watched for you in a sewer, and come out to assail you with a coward's blow and a dirty bludgeon. If you had been a lord with a blue riband, who flattered his vanity, or could help his ambition, he would have been the most delightful company in the 10 THACKERAY world. He would have been so manly, so sarcastic, so bright, odd, and original, that you might think he had no object in view but the indulgence of his humour and that he was the most reckless, simple creature in the world. How he would have torn your enemies to pieces for you! and made fun of the Opposition! His servility was so boisterous that it looked like independence; he would have done your errands, but with the air of patronizing you, and after fighting your battles, masked, in the street or the press, would have kept on his hat before your wife and daughters in the drawing-room, content to take that sort of pay for his tremendous services as a bravo. He says as much himself in one of his letters to Bolingbroke : — "All my endeavours to distinguish myself were only for want of a great title and fortune, that I might be used like a lord by those who have an opinion of my parts; whether right or wrong is no great matter. And so the reputation of wit and great learning does the office of a blue riband or a coach and six." Could there be a greater candour? It is an outlaw, who says, "These are my brains; with these I'll win titles and compete with fortune. These are my bullets; these I'll turn into gold"; and he hears the sound of coaches and six, takes the road like Macheath, and makes society stand and deliver. They are all on their knees before him. Down go my lord bishop's apron, and his Grace's blue riband, and my lady's brocade petticoat in the mud. He eases the one of a living, the other of a patent place, the third of a little snug post about the Court, and gives them over to followers of his own. The great prize has not come yet. The coach with the mitre and crosier in it, which he intends to have for his share, has been delayed on the way from St. James's; and he waits and waits until nightfall, when his runners come and tell him that the coach has taken a dif- ferent road, and escaped him. So he fires his pistols into the air with a curse, and rides away into his own country. Swift's seems to me to be as good a name to point a moral or adorn a tale of ambition, as any hero's that ever lived and failed. But we must remember that the morality was lax — that other gentlemen besides himself took the road in his day — that public society was in a strange disordered condition, and the State was ravaged by other condottieri. The Boyne was being fought and won, and lost — the SWIFT II bells rung in William's victory, in the very same tone with which they would have pealed for James's. Men were loose upon politics, and had to shift for themselves. They, as well as old beliefs and institutions, had lost their moorings and gone adrift in the storm. As in the South Sea Bubble, almost everybody gambled; as in the Railway mania — not many centuries ago — almost every one took his unlucky share: a man of that time, of the vast talents and ambition of Swift, could scarce do otherwise than grasp at his prize, and make his spring at his opportunity. His bitterness, his scorn, his rage, his subsequent misanthropy, are ascribed by some panegyrists to a deliberate conviction of mankind's unworthiness, and a desire to amend them by castigating. His youth was bitter, as that of a great genius bound down by ignoble ties, and powerless in a mean dependence; his age was bitter, like that of a great genius that had fought the battle and nearly won it, and lost it, and thought of it afterwards writhing in a lonely exile. A man may attribute to the gods, if he likes, what is caused by his own fury, or disappointment, or self-will. What public man — what statesman projecting a coup — what king determined on an invasion of his neighbour — what satirist meditating an onslaught on society or an individual, can't give a pretext for his move? There was a French general the other day who proposed to march into this country and put it to sack and pillage, in revenge for humanity outraged by our conduct at Copen- hagen: there is always some excuse for men of the aggressive turn. They are of their nature warlike, predatory, eager for fight, plunder, dominion. As fierce a beak and talon as ever struck — as strong a wing as ever beat, belonged to Swift. I am glad, for one, that fate wrested the prey out of his claws, and cut his wings and chained him. One can gaze, and not without awe and pity, at the lonely eagle chained behind the bars. That Swift was born at No. 7, Hoey's Court, Dublin, on the 30th November, 1667, is a certain fact, of which nobody will deny the sister island the honour and glory; but, it seems to me, he was no more an Irishman than a man born of English parents at Calcutta is a Hindoo. Goldsmith was an Irishman, and always an Irishman: Steele was an Irishman, and always an Irishman: Swift's heart was 12 THACKERAY English and in England, his habits English, his logic eminently English; his statement is elaborately simple; he shuns tropes and metaphors, and uses his ideas and words with a wise thrift and economy, as he used his money: with which he could be generous and splendid upon great occasions, but which he husbanded when there was no need to spend it. He never indulges in needless extrava- gance of rhetoric, lavish epithets, profuse imagery. He lays his opinion before you with a grave simplicity and a perfect neatness. Dreading ridicule too, as a man of his humour — above all an Eng- lishman of his humour — certainly would, he is afraid to use the poetical power which he really possessed; one often fancies in reading him that he dares not be eloquent when he might; that he does not speak above his voice, as it were, and the tone of society. His initiation into politics, his knowledge of business, his knowl- edge of polite life, his acquaintance with literature even, which he could not have pursued very sedulously during that reckless career at Dublin, Swift got under the roof of Sir William Temple. He was fond of telling in after life what quantities of books he devoured there, and how King William taught him to cut asparagus in the Dutch fashion. It was at Shene and at Moor Park, with a salary of twenty pounds and a dinner at the upper servants' table, that this great and lonely Swift passed a ten years' apprenticeship — wore a cassock that was only not a livery — bent down a knee as proud as Lucifer's to supplicate my lady's good graces, or run on his honour's errands. It was here, as he was writing at Temple's table, or follow- ing his patron's walk, that he saw and heard the men who had governed the great world — measured himself with them, looking up from his silent corner, gauged their brains, weighed their wits, turned them, and tried them, and marked them. Ah! what platitudes he must have heard! what feeble jokes' what pompous common- places! what small men they must have seemed under those enor- mous periwigs, to the swarthy, uncouth, silent Irish secretary. I wonder whether it ever struck Temple, that that Irishman was his master? I suppose that dismal conviction did not present itself under the ambrosial wig, or Temple could never have lived with SWIFT 13 Swift. Swift sickened, rebelled, left the service — ate humble pie and came back again; and so for ten years went on, gathering learn- ing, swallowing scorn, and submitting with a stealthy rage to his fortune. Temple's style is the perfection o£ practised and easy good- breeding. If he does not penetrate very deeply into a subject, he professes a very gentlemanly acquaintance with it; if he makes rather a parade of Latin, it was the custom of his day, as it was the custom for a gentleman to envelope his head in a periwig and his hands in lace ruffles. If he wears buckles and square-toed shoes, he steps in them with a consummate grace, and you never hear their creak, or find them treading upon any lady's train or any rival's heels in the Court crowd. When that grows too hot or too agitated for him, he politely leaves it. He retires to his retreat of Shene or Moor Park; and lets the King's party and the Prince of Orange's party battle it out among themselves. He reveres the Sovereign (and no man perhaps ever testified to his loyalty by so elegant a bow) ; he admires the Prince of Orange; but there is one person whose ease and comfort he loves more than all the princes in Christendom, and that valuable member of society is himself, Gulielmus Temple, Baronettus. One sees him in his retreat; between his study-chair and his tulip-beds, clipping his apricots and pruning his essays, — the statesman, the ambassador no more; but the philosopher, the Epi- curean, the fine gentleman and courtier at St. James's as at Shene; where in place of kings and fair ladies, he pays his court to the Ciceronian majesty; or walks a minuet with the Epic Muse; or dallies by the south wall with the ruddy nymph of gardens. Temple seems to have received and exacted a prodigious deal of veneration from his household, and to have been coaxed, and warmed, and cuddled by the people round about him, as delicately as any of the plants which he loved. When he fell ill in 1693, the household was aghast at his indisposition: mild Dorothea, his wife, the best companion of the best of men — "Mild Dorothea, peaceful, wise, and great, Trembling beheld the doubtful hand of fate." 14 THACKERAY As for Dorinda, his sister, — "Those who would grief describe, might come and trace Its watery footsteps in Dorinda's face. To see her weep, joy every face forsook, And grief flung sables on each menial look. The humble tribe mourned for the quickening soul, That furnished spirit and motion through the whole." Isn't that line in which grief is described as putting the menials into a mourning livery, a fine image.'' One of the menials wrote it, who did not like that Temple livery nor those twenty-pound wages. Cannot one fancy the uncouth young servitor, with downcast eyes, books and papers in hand, following at his honour's heels in the garden walk; or taking his honour's orders as he stands by the great chair, where Sir William has the gout, and his feet all blistered with moxa-f" When Sir William has the gout or scolds it must be hard work at the second table; the Irish secretary owned as much after- wards: and when he came to dinner, how he must have lashed and growled and torn the household with his gibes and scorn! What would the steward say about the pride of them Irish schollards — and this one had got no great credit even at his Irish college, if the truth were known — and what a contempt his Excellency's own gentleman must have had for Parson Teague from Dublin. (The valets and chaplains were always at war. It is hard to say which Swift thought the more contemptible.) And what must have been the sadness, the sadness and terror, of the housekeeper's little daugh- ter with the curling black ringlets and the sweet smiling face, when the secretary who teaches her to read and write, and whom she loves and reverences above all things — above mother, above mild Dorothea, above that tremendous Sir William in his square-toes and periwig, — when Mr. Swift comes down from his master with rage in his heart, and has not a kind word even for little Hester Johnson .'' Perhaps, for the Irish secretary, his Excellency's condescension was even more cruel than his frowns. Sir William would perpetually quote Latin and the ancient classics apropos of his gardens and his Dutch statues and plates-bandes, and talk about Epicurus and Diogenes Laertius, Julius Caesar, Semiramis, and the gardens of the SWIFT 15 Hesperides, Maecenas, Strabo describing Jericho, and the Assyrian kings. Apropos of beans, he would mention Pythagoras's precept to abstain from beans, and that this precept probably meant that wise men should abstain from public affairs. He is a placid Epicurean; he is a Pythagorean philosopher; he is a wise man — that is the deduction. Does not Swift think so? One can imagine the down- cast eyes lifted up for a moment, and the flash of scorn which they emit. Swift's eyes were as azure as the heavens; Pope says nobly (as everything Pope said and thought of his friend was good and noble), "His eyes are as azure as the heavens, and have a charming archness in them." And one person in that household, that pompous, stately, kindly Moor Park, saw heaven nowhere else. But the Temple amenities and solemnities did not agree with Swift. He was half killed with a surfeit of Shene pippins; and in a garden-seat which he devised for himself at Moor Park, and where he devoured greedily the stock of books within his reach, he caught a vertigo and deafness which punished and tormented him through life. He could not bear the place or the servitude. Even in that poem of courtly condolence, from which we have quoted a few lines of mock melancholy, he breaks out of the funereal procession with a mad shriek, as it were, and rushes away crying his own grief, cursing his own fate, foreboding madness, and forsaken by fortune, and even hope. I don't know anything more melancholy than the letter to Tem- ple, in which, after having broke from his bondage, the poor wretch crouches piteously towards his cage again, and deprecates his mas- ter's anger. He asks for testimonials for orders. "The particulars required of me are what relate to morals and learning; and the reasons of quitting your honour's family — that is, whether the last was occasioned by any ill action. They are left entirely to your honour's mercy, though in the first I think I cannot reproach myself for anything further than for infirmities. This is all I dare at present beg from your honour, under circumstances of life not worth your regard: what is left me to wish (next to the health and prosperity of your honour and family) is that Heaven would one day allow me the opportunity of leaving my acknowledgments at your feet. I beg my most humble duty and service be presented to l6 THACKERAY my ladies, your honour's lady and sister." — Can prostration fall deeper? could a slave bow lower? Twenty years afterwards Bishop Kennet, describing the same man, says, "Dr. Swift came into the coffee-house and had a bow from everybody but me. When I came to the antechamber [at Court] to wait before prayers, Dr. Swift was the principal man of talk and business. He was soliciting the Earl of Arran to speak to his brother, the Duke of Ormond, to get a place for a clergyman. He was promising Mr. Thorold to undertake, with my Lord Treas- urer, that he should obtain a salary of 200/. per annum as member of the English Church at Rotterdam. He stopped F. Gwynne, Esq., going into the Queen with the red bag, and told him aloud, he had something to say to him from my Lord Treasurer. He took out his gold watch, and telling the time of day, complained that it was very late. A gentleman said he was too fast. 'How can I help it,' says the Doctor, 'if the courtiers give me a watch that won't go right?' Then he instructed a young nobleman, that the best poet in England was Mr. Pope (a Papist), who had begun a translation of Homer into English, for which he would have them all subscribe: 'For,' says he, 'he shall not begin to print till I have a thousand guineas for him.' Lord Treasurer, after leaving the Queen, came through the room, beckoning Dr. Swift to follow him, — both went off just before prayers." There's a little malice in the Bishop's "just before prayers." This picture of the great Dean seems a true one, and is harsh, though not altogether unpleasant. He was doing good, and to deserving men too, in the midst of these intrigues and triumphs. His journals and a thousand anecdotes of him relate his kind acts and rough manners. His hand was constantly stretched out to relieve an honest man — he was cautious about his money, but ready. — If you were in a strait would you like such a benefactor? I think I would rather have had a potato and a friendly word from Goldsmith than have been beholden to the Dean for a guinea and a dinner. He insulted a man as he served him, made women cry, guests look foolish, bullied unlucky friends, and flung his benefac- tions into poor men's faces. No; the Dean was no Irishman — ^no Irishman ever gave but with a kind word and a kind heart. SWIFT 17 It is told, as if it were to Swift's credit, that the Dean of St. Patrick's performed his family devotions every morning regularly, but with such secrecy that the guests in his house were never in the least aware of the ceremony. There was no need surely why a church dignitary should assemble his family privily in a crypt, and as if he was afraid of heathen persecution. But I think the world was right, and the bishops who advised Queen Anne, when they counselled her not to appoint the author of the "Tale of a Tub" to a bishopric, gave perfectly good advice. The man who wrote the arguments and illustrations in that wild book, could not but be aware what must be the sequel of the propositions which he laid down. The boon companion of Pope and Bolingbroke, who chose these as the friends of his life, and the recipients of his confidence and affection, must have heard many an argument, and joined in many a conversation over Pope's port, or St. John's burgundy, which would not bear to be repeated at other men's boards. I know of few things more conclusive as to the sincerity of Swift's religion than his advice to poor John Gay to turn clergyman, and look out for a seat on the Bench. Gay, the author of the "Beggar's Opera" — Gay, the wildest of the wits about town — it was this man that Jonathan Swift advised to take orders — to invest in a cassock and bands — just as he advised him to husband his shil- lings and put his thousand pounds out at interest. The Queen, and the bishops, and the world, were right in mistrusting the re- ligion of that man. I am not here, of course, to speak of any man's religious views, except in so far as they influence his literary character, his life, his humour. The most notorious sinners of all those fellow-mortals whom it is our business to discuss — Harry Fielding and Dick Steele, were especially loud, and I believe really fervent, in their expres- sions of belief; they belaboured freethinkers, and stoned imaginary atheists on all sorts of occasions, going out of their way to bawl their own creed, and persecute their neighbour's, and if they sinned and stumbled, as they constantly did with debt, with drink, with all sorts of bad behaviour, they got upon their knees and cried "Peccavi" with a most sonorous orthodoxy. Yes; poor Harry Field- ing and poor Dick Steele were trusty and undoubting Church of 1 8 THACKERAY England men; they abhorred Popery, Atheism, and wooden shoes, and idolatries in general; and hiccupped Church and State with fervour. But Swift? His mind had had a different schooling, and pos- sessed a very different logical power. He was not bred up in a tipsy guard-room, and did not learn to reason in a Covent Garden tavern. He could conduct an argument from beginning to end. He could see forward with a fatal clearness. In his old age, looking at the "Tale of a Tub," when he said, "Good God, what a genius I had when I wrote that book!" I think he was admiring not the genius, but the consequences to which the genius had brought him — a vast genius, a magnificent genius, a genius wonderfully bright, and dazzling, and strong, — to seize, to know, to see, to flash upon false- hood and scorch it into perdition, to penetrate into the hidden motives, and expose the black thoughts of men, — an awful, an evil spirit. Ah man! you, educated in Epicurean Temple's library, you whose friends were Pope and St. John — what made you to swear to fatal vows, and bind yourself to a life-long hypocrisy before the Heaven which you adored with such real wonder, humility, and reverence? For Swift was a reverent, was a pious spirit — for Swift could love and could pray. Through the storms and tempests of his furious mind, the stars of religion and love break out in the blue, shining serenely, though hidden by the driving clouds and the maddened hurricane of his life. It is my belief that he suffered frightfully from the consciousness of his own scepticism, and that he had bent his pride so far down as to put his apostasy out to hire. The paper left behind him, called "Thoughts on Religion," is merely a set of excuses for not pro- fessing disbelief. He says of his sermons that he preached pamphlets : they have scarce a Christian characteristic; they might be preached from the steps of a synagogue, or the floor of a mosque, or the box of a coffee-house almost. There is little or no cant — he is too great and too proud for that; and, in so far as the badness of his sermons goes, he is honest. But having put that cassock on, it poisoned him: he was strangled in his bands. He goes through life, tearing, like a man possessed with a devil. Like Abudah in the Arabian story, SWIFT 19 he is always looking out for the Fury, and knows that the night will come and the inevitable hag with it. What a night, my God, it was! what a lonely rage and long agony — what a vulture that tore the heart of that giant! It is awful to think of the great sufferings of this great man. Through life he always seems alone, somehow. Goethe was so. I can't fancy Shakspeare otherwise. The giants must live apart. The kings can have no company. But this man suffered so; and deserved so to suffer. One hardly reads anywhere of such a pain. The "saeva indignatio" of which he spoke as lacerating his heart, and which he dares to inscribe on his tombstone — as if the wretch who lay under that stone waiting God's judgment had a right to be angry, — breaks out from him in a thousand pages of his writing, and tears and rends him. Against men in office, he having been overthrown; against men in England, he having lost his chance of preferment there, the furious exile never fails to rage and curse. Is it fair to call the famous "Drapier's Letters" patriotism.? They are masterpieces of dreadful humour and invective: they are rea- soned logically enough too, but the proposition is as monstrous and fabulous as the Lilliputian island. It is not that the grievance is so great, but there is his enemy — the assault is wonderful for its activity and terrible rage. It is Samson, with a bone in his hand, rushing on his enemies and felling them : one admires not the cause so much as the strength, the anger, the fury of the champion. As is the case with madmen, certain subjects provoke him, and awaken his fits of wrath. Marriage is one of these; in a hundred passages in his writings he rages against it; rages against children; an object of constant satire, even more contemptible in his eyes than a lord's chaplain, is a poor curate with a large family. The idea of this luckless paternity never fails to bring down from him gibes and foul language. Could Dick Steele, or Goldsmith, or Fielding, in his most reckless moment of satire, have written anything like the Dean's famous "modest proposal" for eating children.? Not one of these but melts at the thoughts of childhood, fondles and caresses it. Mr. Dean has no such softness, and enters the nursery with the tread and gaiety of an ogre. "I have been assured," says he in the "Modest Proposal," "by a very knowing American of my acquaint- 20 THACKERAY ance in London, that a young healthy child, well nursed, is, at a year old, a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt it will equally serve in a ragout." And taking up this pretty joke, as his way is, he argues it with perfect gravity and logic. He turns and twists this subject in a score of different ways: he hashes it; and he serves it up cold; and he garnishes it; and relishes it always. He describes the little animal as "dropped from its dam," advising that the mother should let it suck plentifully in the last month, so as to render it plump and fat for a good table! "A child," says his Reverence, "will make two dishes at an enter- tainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish," and so on; and, the subject being so delightful that he can't leave it, he proceeds to recommend, in place of venison for squires' tables, "the bodies of young lads and maidens not exceeding fourteen or under twelve." Amiable humourist! laughing castigator of morals! There was a process well known and practised in the Dean's gay days: when a lout entered the coffee-house, the wags proceeded to what they called "roasting" him. This is roasting a subject with a vengeance. The Dean had a native genius for it. As the "Almanach des Gour- mands" says. On nait rotisseur. And it was not merely by the sarcastic method that Swift exposed the unreasonableness of loving and having children. In Gulliver, the folly of love and marriage is urged by graver arguments and advice. In the famous Lilliputian kingdom. Swift speaks with ap- proval of the practice of instantly removing children from their parents and educating them by the State; and amongst his favourite horses, a pair of foals are stated to be the very utmost a well-regu- lated equine couple would permit themselves. In fact, our great satirist was of opinion that conjugal love was unadvisable, and illustrated the theory by his own practice and example — God help him — which made him about the most wretched being in God's world. The grave and logical conduct of an absurd proposition, as exem- plified in the cannibal proposal just mentioned, is our author's con- stant method through all his works of humour. Given a country SWIFT 21 of people six inches or sixty feet high, and by the mere process of the logic, a thousand wonderful absurdities are evolved, at so many stages of the calculation. Turning to the first minister who waited behind him with a white staff near as tall as the mainmast of the "Royal Sovereign," the King of Brobdingnag observes how contemptible a thing human grandeur is, as represented by such a contemptible little creature as Gulliver. "The Emperor of Lilliput's features are strong and masculine" (what a surprising humour there is in this description!) — "The Emperor's features," Gulliver says, "are strong and masculine, with an Austrian lip, an arched nose, his complexion olive, his countenance erect, his body and limbs well proportioned, and his deportment majestic. He is taller by the breadth of my nail than any of his court, which alone is enough to strike an awe into beholders." What a surprising humour there is in these descriptions! How noble the satire is here! how just and honest! How perfect the image! Mr. Macaulay has quoted the charming lines of the poet, where the king of the pigmies is measured by the same standard. We have all read in Milton of the spear that was like "the mast of some tall admiral," but these images are surely likely to come to the comic poet originally. The subject is before him. He is turn- ing it in a thousand ways. He is full of it. The figure suggests itself naturally to him, and comes out of his subject, as in that wonderful passage when Gulliver's box having been dropped by the eagle into the sea, and Gulliver having been received into the ship's cabin, he calls upon the crew to bring the box into the cabin, and put it on the table, the cabin being only a quarter the size of the box. It is the veracity of the blunder which is so admirable. Had a man come from such a country as Brobdingnag he would have blun- dered so. But the best stroke of humour, if there be a best in that abound- ing book, is that where Gulliver, in the unpronounceable country, describes his parting from his master the horse. "I took," he says, "a second leave of my master, but as I was going to prostrate myself to kiss his hoof, he did me the honour to raise it gently to my mouth. I am not ignorant how much I have been censured for mentioning this last particular. Detractors are pleased to think it improbable 22 THACKERAY that so illustrious a person should descend to give so great a mark of distinction to a creature so inferior as I. Neither have I forgotten how apt some travellers are to boast of extraordinary favours they have received. But if these censurers were better acquainted with the noble and courteous disposition of the Houyhnhnms they would soon change their opinion." The surprise here, the audacity of circumstantial evidence, the astounding gravity of the speaker, who is not ignorant how much he has been censured, the nature of the favour conferred, and the respectful exultation at the receipt of it, are surely complete; it is truth topsy-turvy, entirely logical and absurd. As for the humour and conduct of this famous fable, I suppose there is no person who reads but must admire; as for the moral, I think it horrible, shameful, unmanly, blasphemous; and giant and great as this Dean is, I say we should hoot him. Some of this audience mayn't have read the last part of Gulliver, and to such I would recall the advice of the venerable Mr. Punch to persons about to marry, and say "Don't." When GulHver first lands among the Yahoos, the naked howling wretches clamber up trees and assault him, and he describes himself as "almost stifled with the filth which fell about him." The reader of the fourth part of "Gulliver's Travels" is like the hero himself in this instance. It is Yahoo lan- guage: a monster gibbering shrieks, and gnashing imprecations against mankind — tearing down all shreds of modesty, past all sense of manliness and shame; filthy in word, filthy in thought, furious, raging, obscene. And dreadful it is to think that Swift knew the tendency of his creed — the fatal rocks towards which his logic desperately drifted. That last part of "Gulliver" is only a consequence of what has gone before; and the worthlessness of all mankind, the pettiness, cruelty, pride, imbecility, the general vanity, the foolish pretension, the mock greatness, the pompous dulness, the mean aims, the base successes — all these were present to him; it was with the din of these curses of the world, blasphemies against heaven, shrieking in his ears, that he began to write his dreadful allegory — of which the meaning is that man is utterly wicked, desperate and imbecile, and his passions are so monstrous, and his boasted powers so mean, SWIFT 23 that he is and deserves to be the slave of brutes, and ignorance is better than his vaunted reason. What had this man done? what secret remorse was rankUng at his heart? what fever was boihng in him, that he should see all the world bloodshot? We view the world with our own eyes, each of us; and we make from within us the world we see. A weary heart gets no gladness out of sun- shine; a selfish man is sceptical about friendship, as a man with no ear doesn't care for music. A frightful self-consciousness it must have been, which looked on mankind so darkly through those keen eyes of Swift. A remarkable story is told by Scott, of Delany, who interrupted Archbishop King and Swift in a conversation which left the prelate in tears, and from which Swift rushed away with marks of strong terror and agitation in his countenance, upon which the Archbishop said to Delany, "You have just met the most unhappy man on earth; but on the subject of his wretchedness you must never ask a ques- tion." The most unhappy man on earth; — Miserrimus — what a character of him! And at this time all the great wits of England had been at his feet. All Ireland had shouted after him, and worshipped him as a liberator, a saviour, the greatest Irish patriot and citizen. Dean Drapier BickerstafI Gulliver — the most famous statesmen, and the greatest poets of his day, had applauded him, and done him homage; and at this time, writing over to Bolingbroke from Ireland, he says, "It is time for me to have done with the world, and so I would if I could get into a better before I was called into the best, and not die here in a rage, lil^e a poisoned rat in a hole." We have spoken about the men, and Swift's behaviour to them; and now it behoves us not to forget that there are certain other persons in the creation who had rather intimate relations with the great Dean. Two women whom he loved and injured are known by every reader of books so familiarly that if we had seen them, or if they had been relatives of our own, we scarcely could have known them better. Who hasn't in his mind an image of Stella? Who does not love her? Fair and tender creature: pure and affectionate heart! Boots it to you, now that you have been at rest for a hundred and twenty years, not divided in death from the cold heart which 24 THACKERAY caused yours, whilst it beat, such faithful pangs of love and grief — boots it to you now, that the whole world loves and deplores you? Scarce any man, I believe, ever thought of that grave, that did not cast a flower of pity on it, and write over it a sweet epitaph. Gentle lady, so lovely, so loving, so unhappy! you have had countless cham- pions; millions of manly hearts mourning for you. From generation to generation we take up the fond tradition of your beauty; we watch and follow your tragedy, your bright morning love and purity, your constancy, your grief, your sweet martyrdom. We know your legend by heart. You are one of the saints of English story. And if Stella's love and innocence are charming to contemplate, I will say that in spite of ill-usage, in spite of drawbacks, in spite of mysterious separation and union, of hope delayed and sickened heart — ^in the teeth of Vanessa, and that little episodical aberration which plunged Swift into such woful pitfalls and quagmires of amorous perplexity — ^in spite of the verdicts of most women, I be- lieve, who, as far as my experience and conversation go, generally take Vanessa's part in the controversy — in spite of the tears which Swift caused Stella to shed, and the rocks and barriers which fate and temper interposed, and which prevented the pure course of that true love from running smoothly — the brightest part of Swift's story, the pure star in that dark and tempestuous life of Swift's, is his love for Hester Johnson. It has been my business, professionally of course, to go through a deal of sentimental reading in my time, and to acquaint myself with love-making, as it has been described in various languages, and at various ages of the world; and I know of nothing more manly, more tender, more exquisitely touching, than some of these brief notes, written in what Swift calls "his little language" in his journal to Stella. He writes to her night and morning often. He never sends away a letter to her but he begins a new one on the same day. He can't bear to let go her kind little hand, as it were. He knows that she is thinking of him, and longing for him far away in Dublin yonder. He takes her letters from under his pillow and talks to them, famil- iarly, paternally, with fond epithets and pretty caresses — as he would to the sweet and artless creature who loved him. "Stay," he writes SWIFT 25 one morning — it is the 14th of December, 1710 — "Stay, I will answer some of your letter this morning in bed. Let me see. Come and appear, little letter! Here I am, says he, and what say you to Stella this morning fresh and fasting? And can Stella read this writing without hurting her dear eyes?" he goes on, after more kind prattle and fond whispering. The dear eyes shine clearly upon him then — the good angel of his life is with him and blessing him. Ah, it was a hard fate that wrung from them so many tears, and stabbed pitilessly that pure and tender bosom. A hard fate: but would she have changed it? I have heard a woman say that she would have taken Swift's cruelty to have had his tenderness. He had a sort of worship for her whilst he wounded her. He speaks of her after she is gone; of her wit, of her kindness, of her grace, of her beauty, with a simple love and reverence that are indescribably touching; in contemplation of her goodness his hard heart melts into pathos; his cold rhyme kindles and glows into poetry, and he falls down on his knees, so to speak, before the angel whose life he had em- bittered, confesses his own wretchedness and unworthiness, and adores her with cries of remorse and love: — "When on my sickly couch I lay. Impatient both of night and day. And groaning in unmanly strains, Called every power to ease my pains. Then Stella ran to my relief. With cheerful face and inward grief. And though by heaven's severe decree She suffers hourly more than me. No cruel master could require From slaves employed for daily hire, What Stella, by her friendship warmed, With vigour and delight performed. Now, with a soft and silent tread, Unheard she moves about my bed: My sinking spirits now supplies With cordials in her hands and eyes. Best pattern of true friends! beware; You pay too dearly for your care If, while your tenderness secures My life, it must endanger yours: For such a fool was never found 26 THACKERAY Who pulled a palace to the ground. Only to have the ruins made Materials for a house decayed." One little triumph Stella had in her life — one dear little piece of injustice was performed in her favour, for which I confess, for my part, i can't help thanking fate and the Dean. That other person was sacrificed to her — that — that young woman, who lived five doors from Dr. Swift's lodgings in Bury Street, and who flattered him, and made love to him in such an outrageous manner — ^Vanessa was thrown over. Swift did not keep Stella's letters to him in reply to those he wrote to her. He kept Bolingbroke's, and Pope's, and Harley's, and Peterborough's: but Stella, "very carefully," the Lives say, kept Swift's. Of course: that is the way of the world: and we cannot tell what her style was, or of what sort were the little letters which the Doctor placed there at night, and bade to appear from under his pillow of a morning. But in Letter IV. of that famous collection he describes his lodging in Bury Street, where he has the first floor, a dining-room and bed-chamber, at eight shillings a week; and in Letter VI. he says "he has visited a lady just come to town," whose name somehow is not mentioned; and in Letter VIII. he enters a query of Stella's — "What do you mean 'that boards near me, that I dine with now and then'? What the deuce! You know whom I have dined with every day since I left you, better than I do." Of course she does. Of course Swift has not the slightest idea of what she means. But in a few letters more it turns out that the Doctor has been to dine "gravely" with a Miss Vanhomrigh: then that he has been to "his neighbour": then that he has been unwell, and means to dine for the whole week with his neighbour! Stella was quite right in her previsions. She saw from the very first hint, what was going to happen; and scented Vanessa in the air. The rival is at the Dean's feet. The pupil and teacher are reading to- gether, and drinking tea together, and going to prayers together, and learning Latin together, and conjugating amo, atnas, amavi together. The little language is over for poor Stella. By the rule of grammar and the course of conjugation, doesn't amavi come after amo and amas? SWIFT 27 The loves o£ Cadenus and Vanessa you may peruse in Cadenus's own poem on the subject, and in poor Vanessa's vehement expostu- latory verses and letters to him; she adores him, implores him, admires him, thinks him something godlike, and only prays to be admitted to lie at his feet. As they are bringing him home from church, those divine feet of Dr. Swift's are found pretty often in Vanessa's parlour. He likes to be admired and adored. He finds Miss Vanhomrigh to be a woman of great taste and spirit, and beauty and wit, and a fortune too. He sees her every day; he does not tell Stella about the business: until the impetuous Vanessa be- comes too fond of him, until the Doctor is quite frightened by the young woman's ardour, and confounded by her warmth. He wanted to marry neither of them — that I believe was the truth; but if he had not married Stella, Vanessa would have had him in spite of himself. When he went back to Ireland, his Ariadne, not content to remain in her isle, pursued the fugitive Dean. In vain he protested, he vowed, he soothed, and bullied; the news of the Dean's marriage with Stella at last came to her, and it killed her — she died of that passion. And when she died, and Stella heard that Swift had written beautifully regarding her, "That doesn't surprise me," said Mrs. Stella, "for we all know the Dean could write beautifully about a broomstick." A woman — a true woman! Would you have had one of them forgive the other.? In a note in his biography, Scott says that his friend Dr. Tuke of Dublin has a lock of Stella's hair, enclosed in a paper by Swift, on which are written, in the Dean's hand, the words: "Only a woman's hair." An instance, says Scott, of the Dean's desire to veil his feelings under the mask of cynical indifference. See the various notions of critics! Do those words indicate indiffer- ence or an attempt to hide feeling ? Did you ever hear or read four words more pathetic ? Only a woman's hair : only love, only fidelity, only purity, innocence, beauty; only the tenderest heart in the world stricken and wounded, and passed away now out of reach of pangs of hope deferred, love insulted, and pitiless desertion: — only that lock of hair left; and memory and remorse, for the guilty, lonely wretch, shuddering over the grave of his victim. And yet to have had so much love, he must have given some. 28 THACKERAY Treasures o£ wit and wisdom, and tenderness, too, must that man have had locked up in the caverns of his gloomy heart, and shown fitfully to one or two whom he took in there. But it was not good to visit that place. People did not remain there long, and suffered for having been there. He shrank away from all afJections sooner or later. Stella and Vanessa both died near him, and away from him. He had not heart enough to see them die. He broke from his fastest friend, Sheridan; he slunk away from his fondest admirer, Pope. His laugh jars on one's ear after seven score years. He was always alone — alone and gnashing in the darkness, except when Stella's sweet smile came and shone upon him. When that went, silence and utter night closed over him. An immense genius; an awful downfall and ruin. So great a man he seems to me, that thinking of him is like thinking of an empire falling. We have other great names to mention — none I think, however, so great or so gloomy. THE IDEA OF A UNIVERSITY BY JOHN HENRY NEWMAN INTRODUCTORY NOTE John Henry Newman was born in London, February 21, 1801. Going up to Oxford at sixteen, he gained a scholarship at Trinity College, and after graduation became fellow and tutor of Oriel, then the most alive, intellectually, of the Oxford colleges. He took orders, and in 1828 was appointed vicar of St. Mary's, the university church. In 1832 he had to resign his tutorship on account of a difference of opinion with the head of the college as to his duties and responsibilities, Newman regarding his function as one of a "substantially religious nature." Returning to Oxford the next year from a journey on the Continent, he began, in cooperation with R. H. Froude and others, the publication of the "Tracts for the Times," a series of pamphlets which gave a name to the "Tractarian" or "Oxford" movement for the defence of the "doc- trine of apostolical succession and the integrity of the Prayer-Book." After several years of agitation, during which Newman came to exercise an extraordinary influence in Oxford, the movement and its leader fell under the official ban of the university and of the Anglican bishops, and Newman withdrew from Oxford, feeling that the Anglican Church had herself destroyed the defences which he had sought to build for her. In October, 1845, he was received into the Roman Church. The next year he went to Rome, and on his return introduced into England the institute of the Oratory. In 1854 he went to Dublin for four years as rector of the new Catholic university, and while there wrote his volume on "The Idea of a University," in which he expounds with wonderful clearness of thought and beauty of language his view of the aim of education. In 1879 he was created cardinal in recognition of his services to the cause of religion in England, and in 1890 he died. Of the history of Newman's religious opinions and influence no hint can be given here. The essays which follow do, indeed, imply important and fundamental elements of his system of belief; but they can be taken in detachment as the exposition of a view of the nature and value of culture by a man who was himself the fine flower of English university training and a master of English prose. THE IDEA OF A UNIVERSITY I. WHAT IS A UNIVERSITY? IF I were asked to describe as briefly and popularly as I could, what a University was, I should draw my answer from its ancient designation of a Studium Generale, or "School of Uni- versal Learning." This description implies the assemblage of stran- gers from all parts in one spot; — from all parts; else, how will you find professors and students for every department of knowledge? and in one spot; else, how can there be any school at all? Accord- ingly, in its simple and rudimental form, it is a school of knowledge of every kind, consisting of teachers and learners from every quarter. Many things are requisite to complete and satisfy the idea embodied in this description; but such as this a University seems to be in its essence, a place for the communication and circulation of thought, by means of personal intercourse, through a wide extent of country. There is nothing far-fetched or unreasonable in the idea thus presented to us; and if this be a University, then a University does but contemplate a necessity of our nature, and is but one specimen in a particular medium, out of many which might be adduced in others, of a provision for that necessity. Mutual education, in a large sense of the word, is one of the great and incessant occupa- tions of human society, carried on partly with set purpose, and partly not. One generation forms another; and the existing genera- tion is ever acting and reacting upon itself in the persons of its individual members. Now, in this process, books, I need scarcely say, that is, the liter a scripta, are one special instrument. It is true; and emphatically so in this age. Considering the prodigious powers of the press, and how they are developed at this time in the never- intermitting issue of periodicals, tracts, pamphlets, works in series, and light literature, we must allow there never was a time which 31 32 NEWMAN promised fairer for dispensing with every other means of informa- tion and instruction. What can we want more, you will say, for the intellectual education of the whole man, and for every man, than so exuberant and diversified and persistent a promulgation of all kinds of knowledge? Why, you will ask, need we go up to knowledge, when knowledge comes down to us? The Sibyl wrote her prophecies upon the leaves of the forest, and wasted them; but here such careless profusion might be prudently indulged, for it can be afforded without loss, in consequence of the almost fabulous fecundity of the instrument which these latter ages have invented. We have sermons in stones, and books in the running brooks; works larger and more comprehensive than those which have gained for ancients an immortality, issue forth every morning, and are pro- jected onwards to the ends of the earth at the rate of hundreds of miles a day. Our seats are strewed, our pavements are powdered, with swarms of little tracts; and the very bricks of 'our city walls preach wisdom, by informing us by their placards where we can at once cheaply purchase it. I allow all this, and much more; such certainly is our popular education, and its effects are remarkable. Nevertheless, after all, even in this age, whenever men are really serious about getting what, in the language of trade, is called "a good article," when they aim at something precise, something refined, something really luminous, something really large, something choice, they go to another market; they avail themselves, in some shape or other, of the rival method, the ancient method, of oral instruction, of present communication between man and man, of teachers instead of learning, of the per- sonal influence of a master, and the humble initiation of a disciple, and, in consequence, of great centres of pilgrimage and throng, which such a method of education necessarily involves. This, I think, will be found to hold good in all those departments or aspects of society, which possess an interest sufficient to bind men together, or to constitute what is called "a world." It holds in the political world, and in the high world, and in the religious world; and it holds also in the literary and scientific world. If the actions of men may be taken as any test of their convictions, then we have reason for saying this, viz.: — that the province and the WHAT IS A UNIVERSITY? 33 inestimable benefit of tlie litera scripta is that of being a record of truth, and an authority of appeal, and an instrument of teaching in the hands of a teacher; but that, if we wish to become exact and fully furnished in any branch of knowledge which is diversified and complicated, we must consult the living man and listen to his living voice. I am not bound to investigate the cause of this, and anything I may say will, I am conscious, be short of its full analysis; — perhaps we may suggest, that no books can get through the number of minute questions which it is possible to ask on any extended subject, or can hit upon the very difficulties which are severally felt by each reader in succession. Or again, that no book can convey the special spirit and delicate peculiarities of its subject with that rapidity and certainty which attend on the sympathy of mind with mind, through the eyes, the look, the accent, and the manner, in casual expressions thrown off at the moment, and the unstudied turns of familiar conversation. But I am already dwelling too long on what is but an incidental portion of my main subject. What- ever be the cause, the fact is undeniable. The general principles of any study you may learn by books at home; but the detail, the colour, the tone, the air, the life which makes it live in us, you must catch all these from those in whom it lives already. You must imitate the student in French or German, who is not content with his grammar, but goes to Paris or Dresden: you must take example from the young artist, who aspires to visit the great Masters in Florence and in Rome. Till we have discovered some intellectual daguerreotype, which takes off the course of thought, and the form, lineaments, and features of truth, as completely and minutely as the optical instrument reproduces the sensible object, we must come to the teachers of wisdom to learn wisdom, we must repair to the fountain, and drink there. Portions of it may go from thence to the ends of the earth by means of books; but the fulness is in one place alone. It is in such assemblages and congregations of intellect that books themselves, the masterpieces of human genius, are writ- ten, or at least originated. The principle on which I have been insisting is so obvious, and instances in point are so ready, that I should think it tiresome to proceed with the subject, except that one or two illustrations may 34 NEWMAN serve to explain my own language about it, which may not have done justice to the doctrine which it has been intended to enforce. For instance, the polished manners and high-bred bearing which are so difficult of attainment, and so strictly personal when attained, — which are so much admired in society, from society are acquired. All that goes to constitute a gentleman, — the carriage, gait, address, gestures, voice; the ease, the self-possession, the courtesy, the power of conversing, the talent of not offending; the lofty principle, the delicacy of thought, the happiness of expression, the taste and pro- priety, the generosity and forbearance, the candour and considera- tion, the openness of hajid; — ^these qualities, some of them come by nature, some of them may be found in any rank, some of them are a direct precept of Christianity; but the full assemblage of them, bound up in the unity of an individual character, do we expect they can be learned from books ? are they not necessarily acquired, where they are to be found, in high society? The very nature of the case leads us to say so; you cannot fence without an antagonist, nor challenge all comers in disputation before you have supported a thesis; and in like manner, it stands to reason, you cannot learn to converse till you have the world to converse with; you cannot un- learn your natural bashf ulness, or awkwardness, or stiffness, or other besetting deformity, till you serve your time in some school of manners. Well, and is it not so in matter of fact? The metropolis, the court, the great houses of the land, are the centres to which at stated times the country comes up, as to shrines of refinement and good taste; and then in due time the country goes back again home, enriched with a portion of the social accomplishments, which those very visits serve to call out and heighten in the gracious dis- pensers of them. We are unable to conceive how the "gentleman- like" can otherwise be maintained; and maintained in this way it is. And now a second instance: and here too I am going to speak without personal experience of the subject I am introducing. I admit I have not been in Parliament, any more than I have figured in the beau monde; yet I cannot but think that statesmanship, as well as high breeding, is learned, not by books, but in certain centres of education. If it be not presumption to say so. Parliament puts a clever man au courant with politics and affairs of state in a way WHAT IS A UNIVERSITY? 35 surprising to himself. A member of the Legislature, if tolerably observant, begins to see things with new eyes, even though his views undergo no change. Words have a meaning now, and ideas a reality, such as they had not before. He hears a vast deal in pub- lic speeches and private conversation, which is never put into print. The bearings of measures and events, the action of parties, and the persons of friends and enemies, are brought out to the man who is in the midst of them with a distinctness, which the most diligent perusal of newspapers will fail to impart to them. It is access to the fountain-heads of political wisdom and experience, it is daily inter- course, of one kind or another, with the multitude who go up to them, it is familiarity with business, it is access to the contributions of fact and opinion thrown together by many witnesses from many quarters, which does this for him. However, I need not account for a fact, to which it is sufficient to appeal; that the Houses of Parliament and the atmosphere around them are a sort of University of politics. As regards the world of science, we find a remarkable instance of the principle which I am illustrating, in the periodical meetings for its advance, which have arisen in the course of the last twenty years, such as the British Association. Such gatherings would to many persons appear at first sight simply preposterous. Above all subjects of study. Science is conveyed, is propagated, by books, or by private teaching; experiments and investigations are conducted in silence; discoveries are made in solitude. What have philosophers to do with festive celebrities, and panegyrical solemnities with mathematical and physical truth? Yet on a closer attention to the subject, it is found that not even scientific thought can dispense with the sug- gestions, the instruction, the stimulus, the sympathy, the intercourse with mankind on a large scale, which such meetings secure. A fine time of year is chosen, when days are long, skies are bright, the earth smiles, and all nature rejoices; a city or town is taken by turns, of ancient name or modern opulence, where buildings are spacious and hospitality hearty. The novelty of place and circumstance, the excitement of strange, or the refreshment of well-known faces, the majesty of rank or of genius, the amiable charities of men pleased both with themselves and with each other; the elevated spirits, the 36 NEWMAN circulation of thought, the curiosity; the morning sections, the out- door exercise, the well-furnished, well-earned board, the not ungrace- ful hilarity, the evening circle; the brilliant lecture, the discussions or collisions or guesses of great men one with another, the narratives of scientific processes, of hopes, disappointments, conflicts, and suc- cesses, the splendid eulogistic orations; these and the like constituents of the annual celebration, are considered to do something real and substantial for the advance of knowledge which can be done in no other way. Of course they can but be occasional; they answer to the annual Act, or Commencement, or Commemoration of a University, not to its ordinary condition; but they are of a University nature; and I can well believe in their utility. They issue in the promotion of a certain living and, as it were, bodily communication of knowl- edge from one to another, of a general interchange of ideas, and a comparison and adjustment of science with science, of an enlarge- ment of mind, intellectual and social, of an ardent love of the par- ticular study, which may be chosen by each individual, and a noble devotion to its interests. Such meetings, I repeat, are but periodical, and only partially represent the idea of a University. The bustle and whirl which are their usual concomitants, are in ill keeping with the order and grav- ity of earnest intellectual education. We desiderate means of in- struction which involve no interruption of our ordinary habits; nor need we seek it long, for the natural course of things brings it about, while we debate over it. In every great country, the metrop- olis itself becomes a sort of necessary University, whether we will or no. As the chief city is the seat of the court, of high society, of politics, and of law, so as a matter of course is it the seat of letters also; and at this time, for a long term of years, London and Paris are in fact and in operation Universities, though in Paris its famous University is no more, and in London a University scarcely exists except as a board of administration. The newspapers, magazines, reviews, journals, and periodicals of all kinds, the publishing trade, the libraries, museums, and academies there found, the learned and scientific societies, necessarily invest it with the functions of a Uni- versity; and that atmosphere of intellect, which in a former age hung over Oxford or Bologna or Salamanca, has, with the change WHAT IS A UNIVERSITY? 37 o£ times, moved away to the centre of civil govermnent. Thither come up youths from all parts of the country, the students of law, medicine, and the fine arts, and the employes and attaches of litera- ture. There they live, as chance determines; and they are satisfied with their temporary home, for they find in it all that was promised to them there. They have not come in vain, as far as their own object in coming is concerned. They have not learned any particular religion, but they have learned their own particular profession well. They have, moreover, become acquainted with the habits, manners, and opinions of their place of sojourn, and done their part in main- taining the tradition of them. We cannot then be without virtual Universities; a metropolis is such: the simple question is, whether the education sought and given should be based on principle, formed upon rule, directed to the highest ends, or left to the random suc- cession of masters and schools, one after another, with a melancholy waste of thought and an extreme hazard of truth. Religious teaching itself affords us an illustration of our subject to a certain point. It does not indeed seat itself merely in centres of the world; this is impossible from the nature of the case. It is in- tended for the many, not the few; its subject matter is truth neces- sary for us, not truth recondite and rare; but it concurs in the principle of a University so far as this, that its great instrument, or rather organ, has ever been that which nature prescribes in all education, the personal presence of a teacher, or, in theological lan- guage. Oral Tradition. It is the living voice, the breathing form, the expressive countenance, which preaches, which catechizes. Truth, a subtle, invisible, manifold spirit, is poured into the mind of the scholar by his eyes and ears, through his affections, imagination, and reason; it is poured into his mind and is sealed up there in per- petuity, by propounding and repeating it, by questioning and re- questioning, by correcting and explaining, by progressing and then recurring to first principles, by all those ways which are implied in the word "catechizing." In the first ages, it was a work of long time; months, sometimes years, were devoted to the arduous task of disabusing the mind of the incipient Christian of its pagan errors, and of moulding it upon the Christian faith. The Scriptures indeed were at hand for the study of those who could avail them- 38 NEWMAN selves of them; but St. Irenaeus does not hesitate to speak of whole races, who had been converted to Christianity, without being able to read them. To be unable to read or write was in those times no evidence of want of learning: the hermits of the deserts were, in this sense of the word, illiterate; yet the great St. Anthony, though he knew not letters, was a match in disputation for the learned phi- losophers who came to try him. Didymus again, the great Alex- andrian theologian, was blind. The ancient discipline, called the Disciplina Arcani, involved the same principle. The more sacred doctrines of Revelation were not committed to books but passed on by successive tradition. The teaching on the Blessed Trinity and the Eucharist appears to have been so handed down for some hundred years; and when at length reduced to writing, it has filled many folios, yet has not been exhausted. But I have said more than enough in illustration; I end as I began; — a University is a place of concourse, whither students come from every quarter for every kind of knowledge. You cannot have the best of every kind everywhere; you must go to some great city or emporium for it. There you have all the choicest productions of nature and art all together, which you find each in its own separate place elsewhere. All the riches of the land, and of the earth, are carried up thither; there are the best markets, and there the best workmen. It is the centre of trade, the supreme court of fashion, the umpire of rival talents, and the standard of things rare and precious. It is the place for seeing galleries of first-rate pictures, and for hearing wonderful voices and performers of transcendent skill. It is the place for great preachers, great orators, great nobles, great statesmen. In the nature of things, greatness and unity go together; excellence implies a centre. And such, for the third or fourth time, is a University; I hope I do not weary out the reader by repeating it. It is the place to which a thousand schools make contributions; in which the intellect may safely range and speculate, sure to find its equal in some antagonist activity, and its judge in the tribunal of truth. It is a place where inquiry is pushed forward, and discoveries verified and perfected, and rashness rendered in- nocuous, and error exposed, by the collision of mind with mind, and knowledge with knowledge. It is the place where the professor WHAT IS A UNIVERSITY? 39 becomes eloquent, and is a missionary and a preacher, displaying his science in its most complete and most winning form, pouring it forth with the zeal of enthusiasm, and lighting up his own love of it in the breasts of his hearers. It is the place where the catechist makes good his ground as he goes, treading in the truth day by day into the ready memory, and wedging and tightening it into the expanding reason. It is a place which wins the admiration of the young by its celebrity, kindles the affections of the middle-aged by its beauty, and rivets the fidelity of the old by its associations. It is a seat of wisdom, a light of the world, a minister of the faith, an Alma Mater of the rising generation. It is this and a great deal more, and demands a somewhat better head and hand than mine to describe it well. Such is a University in its idea and in its purpose; such in good measure has it before now been in fact. Shall it ever be again? We are going forward in the strength of the Cross, under the patronage of the Blessed Virgin, in the name of St. Patrick, to attempt it. II. SITE OF A UNIVERSITY IF we would know what a University is, considered in its ele- mentary idea, we must betake ourselves to the first and most celebrated home of European literature and source of European civilization, to the bright and beautiful Athens, — Athens, whose schools drew to her bosom, and then sent back again to the business of life, the youth of the Western World for a long thousand years. Seated on the verge of the continent, the city seemed hardly suited for the duties of a central metropolis of knowledge; yet, what it lost in convenience of approach, it gained in its neighbourhood to the traditions of the mysterious East, and in the loveliness of the region in which it lay. Hither, then, as to a sort of ideal land, where all archetypes of the great and the fair were found in substantial being, and all departments of truth explored, and all diversities of intellec- tual power exhibited, where taste and philosophy were majestically enthroned as in a royal court, where there was no sovereignty but that of mind, and no nobility but that of genius, where professors were rulers, and princes did homage, hither flocked continually from the very corners of the orbis terrarum, the many-tongued generation, just rising, or just risen into manhood, in order to gain wisdom. Pisistratus had in an early age discovered and nursed the infant genius of his people, and Cimon, after the Persian war, had given it a home. That war had established the naval supremacy of Athens; she had become an imperial state; and the lonians, bound to her by the double chain of kindred and of subjection, were importing into her both their merchandize and their civilization. The arts and philosophy of the Asiatic coast were easily carried across the sea, and there was Cimon, as I have said, with his ample fortune, ready to receive them with due honours. Not content with patronizing their professors, he built the first of those noble porticos, of which we hear so much in Athens, and he formed the groves, which in process of time became the celebrated Academy. Planting is one of the most graceful, as in Athens it was one of the most beneficent, 40 SITE OF A UNIVERSITY 4 1 of employments. Cimon took in hand the wild wood, pruned and dressed it, and laid it out with handsome walks and welcome foun- tains. Nor, while hospitable to the authors of the city's civilization, was he ungrateful to the instruments of her prosperity. His trees extended their cool, umbrageous branches over the merchants, who assembled in the Agora, for many generations. Those merchants certainly had deserved that act of bounty; for all the while their ships had been carrying forth the intellectual fame of Athens to the western world. Then commenced what may be called her University existence. Pericles, who succeeded Cimon both in the government and in the patronage of art, is said by Plutarch to have entertained the idea of making Athens the capital of fed- erated Greece: in this he failed, but his encouragement of such men as Phidias and Anaxagoras led the way to her acquiring a far more lasting sovereignty over a far wider empire. Little understanding the sources of her own greatness, Athens would go to war: peace is the interest of a seat of commerce and the arts; but to war she went; yet to her, whether peace or war, it mattered not. The political power of Athens waned and disappeared; kingdoms rose and fell; centuries rolled away, — they did but bring fresh triumphs to the city of the poet and the sage. There at length the swarthy Moor and Spaniard were seen to meet the blue-eyed Gaul; and the Cappa- docian, late subject of Mithridates, gazed without alarm at the haughty conquering Roman. Revolution after revolution passed over the face of Europe, as well as of Greece, but still she was there, — Athens, the city of mind, — as radiant, as splendid, as delicate, as young, as ever she had been. Many a more fruitful coast or isle is washed by the blue ^gean, many a spot is there more beautiful or sublime to see, many a terri- tory more ample; but there was one charm in Attica, which in the same perfection was nowhere else. The deep pastures of Arcadia, the plain of Argos, the Thessalian vale, these had not the gift; Bceotia, which lay to its immediate north, was notorious for its very want of it. The heavy atmosphere of that Bceotia might be good for vegetation, but it was associated in popular belief with the dulness of the Boeotian intellect: on the contrary, the special purity, elasticity, clearness, and salubrity of the air of Attica, lit concomitant 42 NEWMAN and emblem of its genius, did that for it which earth did not; — it brought out every bright hue and tender shade of the landscape over which it was spread, and would have illuminated the face even of a more bare and rugged country. A confined triangle, perhaps fifty miles its greatest length, and thirty its greatest breadth; two elevated rocky barriers, meeting at an angle; three prominent mountains, commanding the plain, — Parnes, Pentelicus, and Hymettus; an unsatisfactory soil; some streams, not always full; — such is about the report which the agent of a London company would have made of Attica. He would report that the climate was mild; the hills were limestone; there was plenty of good marble; more pasture land than at first survey might have been expected, sufficient certainly for sheep and goats; fisheries pro- ductive; silver mines once, but long since worked out; figs fair; oil first-rate; olives in profusion. But what he would not think of noting down, was, that that olive tree was so choice in nature and so noble in shape, that it excited a religious veneration; and that it took so kindly to the light soil, as to expand into woods upon the open plain, and to climb up and fringe the hills. He would not think of writing word to his employers, how that clear air, of which I have spoken, brought out, yet blended and subdued the colours on the marble, till they had a softness and harmony, for all their rich- ness, which in a picture looks exaggerated, yet is after all within the truth. He would not tell, how that same delicate and brilliant atmosphere freshened up the pale olive, till the olive forgot its monotony, and its cheek glowed like the arbutus or beech of the Umbrian hills. He would say nothing of the thyme and thousand fragrant herbs which carpeted Hymettus; he would hear nothing of the hum of its bees; nor take much account of the rare flavour of its honey, since Gozo and Minorca were sufficient for the English demand. He would look over the ^Egean from the height he had ascended; he would follow with his eye the chain of islands, which, starting from the Sunian headland, seemed to offer the fabled divin- ities of Attica, when they would visit their Ionian cousins, a sort of viaduct thereto across the sea; but that fancy would not occur to him, nor any admiration of the dark violet billows with their white edges down below; nor of those graceful, fanlike jets of silver upon SITE OF A UNIVERSITY 43 the rocks, which slowly rise aloft like water spirits from the deep, then shiver, and break, and spread, and shroud themselves, and disappear, in a soft mist of foam; nor of the gentle, incessant heaving and panting of the whole liquid plain; nor of the long waves, keep- ing steady time, like a line of soldiery, as they resound upon the hollow shore, — he would not deign to notice that restless Hving element at all, except to bless his stars that he was not upon it. Nor the distinct detail, nor the refined colouring, nor the graceful outline and roseate golden hue of the jutting crags, nor the bold shadows cast from Otus or Laurium by the declining sun; — our agent of a mercantile firm would not value these matters even at a low figure. Rather we must turn for the sympathy we seek to yon pilgrim student come from a semi-barbarous land to that small corner of the earth, as to a shrine, where he might take his fill of gazing on those emblems and coruscations of invisible unoriginate perfection. It was the stranger from a remote province, from Britain or from Mauritania, who in a scene so different from that of his chilly, woody swamps, or of his fiery, choking sands, learned at once what a real University must be, by coming to understand the sort of country, which was its suitable home. Nor was this all that a University required, and found in Athens. No one, even there, could live on poetry. If the students at that famous place had nothing better than bright hues and soothing sounds, they would not have been able or disposed to turn their residence there to much account. Of course they must have the means of living, nay, in a certain sense, of enjoyment, if Athens was to be an Alma Mater at the time, or to remain afterwards a pleasant thought in their memory. And so they had: be it recollected Athens was a port, and a mart of trade, perhaps the first in Greece; and this was very much to the point, when a number of strangers were ever flocking to it, whose combat was to be with intellectual, not physical difficulties, and who claimed to have their bodily wants supplied, that they might be at leisure to set about furnishing their minds. Now, barren as was the soil of Attica, and bare the face of the country, yet it had only too many resources for an elegant, nay luxurious abode there. So abundant were the imports of the place, that it was a common saying, that the productions, which 44 NEWMAN were found singly elsewhere, were brought all together in Athens. Corn and wine, the staple o£ subsistence in such a climate, came from the isles of the ^gean; fine wool and carpeting from Asia Minor; slaves, as now, from the Euxine, and timber too; and iron and brass from the coasts of the Mediterranean. The Athenian did not condescend to manufactures himself, but encouraged them in others; and a population of foreigners caught at the lucrative occu- pation both for home consumption and for exportation. Their cloth, and other textures for dress and furniture, and their hardware — for instance, armour — were in great request. Labour was cheap; stone and marble in plenty; and the taste and skill, which at first were devoted to public buildings, as temples and porticos, were in course of time applied to the mansions of public men. If nature did much for Athens, it is undeniable that art did much more. Here some one will interrupt me with the remark: "By the bye, where are we, and whither are we going? — what has all this to do with a University? at least what has it to do with education? It is instructive doubtless; but still how much has it to do with your subject?" Now I beg to assure the reader that I am most conscien- tiously employed upon my subject; and I should have thought every one would have seen this: however, since the objection is made, I may be allowed to pause awhile, and show distinctly the drift of what I have been saying, before I go farther. What has this to do with my subject! why, the question of the site is the very first that comes into consideration, when a Stadium Generale is con- templated; for that site should be a liberal and noble one; who will deny it? All authorities agree in this, and very little reflection will be sufficient to make it clear. I recollect a conversation I once had on this very subject with a very eminent man. I was a youth of eighteen, and was leaving my University for the Long Vacation, when I found myself in company in a public conveyance with a middle-aged person, whose face was strange to me. However, it was the great academical luminary of the day, whom afterwards I knew very well. Luckily for me, I did not suspect it; and luckily too, it was a fancy of his, as his friends knew, to make himself on easy terms especially with stage-coach companions. So, what with my flippancy and his condescension, I managed to hear many things SITE OF A UNIVERSITY 45 which were novel to me at the time; and one point which he was strong upon, and was evidently fond of urging, was the material pomp and circumstance which should environ a great seat of learn- ing. He considered it was worth the consideration of the govern- ment, whether Oxford should not stand in a domain of its own. An ample range, say four miles in diameter, should be turned into wood and meadow, and the University should be approached on all sides by a magnificent park, with fine trees in groups and groves and avenues, and with glimpses and views of the fair city, as the traveller drew near it. There is nothing surely absurd in the idea, though it would cost a round sum to realize it. What has a better claim to the purest and fairest possessions of nature, than the seat of wisdom ? So thought my coach companion; and he did but express the tradi- tion of ages and the instinct of mankind. For instance, take the great University of Paris. That famous school engrossed as its territory the whole south bank of the Seine, and occupied one half, and that the pleasanter half, of the city. King Louis had the island pretty well as his own, — it was scarcely more than a fortification; and the north of the river was given over to the nobles and citizens to do what they could with its marshes; but the eligible south, rising from the stream, which swept around its base, to the fair summit of St. Genevieve, with its broad meadows, its vineyards and its gardens, and with the sacred elevation of Mont- martre confronting it, all this was the inheritance of the University. There was that pleasant Pratum, stretching along the river's bank, in which the students for centuries took their recreation, which Alcuin seems to mention in his farewell verses to Paris, and which has given a name to the great Abbey of St. Germain-des-Pres. For long years it was devoted to the purposes of innocent and healthy enjoyment; but evil times came on the University; disorder arose within its precincts, and the fair meadow became the scene of party brawls; heresy stalked through Europe, and Germany and England no longer sending their contingent of students, a heavy debt was the consequence to the academical body. To let their land was the only resource left to them: buildings rose upon it, and spread along the green sod, and the country at length became town. Great was the grief and indignation of the doctors and masters, when this catas- 46 NEWMAN trophe occurred. "A wretched sight," said the Proctor of the Ger- man nation, "a wretched sight, to witness the sale of that ancient manor, whither the Muses were wont to wander for retirement and pleasure. Whither shall the youthful student now betake himself, what relief will he find for his eyes, wearied with intense reading, now that the pleasant stream is taken from him?" Two centuries and more have passed since this complaint was uttered; and time has shown that the outward calamity, which it recorded, was but the emblem of the great moral revolution, which was to follow; till the institution itself has followed its green meadows, into the region of things which once were and now are not. And in like manner, when they were first contemplating a Uni- versity in Belgium, some centuries ago, "Many," says Lipsius, "sug- gested Mechlin, as an abode salubrious and clean, but Louvain was preferred, as for other reasons, so because no city seemed from the disposition of place and people, more suitable for learned leisure. Who will not approve the decision? Can a site be healthier or more pleasant ? The atmosphere pure and cheerful ; the spaces open and delightful; meadows, fields, vines, groves, nay, I may say, a rus in urbe. Ascend and walk round the walls; what do you look down upon ? Does not the wonderful and delightful variety smooth the brow and soothe the mind? You have corn, and apples, and grapes; sheep and oxen; and birds chirping or singing. Now carry your feet or your eyes beyond the walls; there are streamlets, the river meandering along; country-houses, convents, the superb for- tress; copses or woods fill up the scene, and spots for simple enjoy- ment." And then he breaks out into poetry: Salvete Athenac nostrae, Athenae Belgicae, Te Gallus, te Germanus, et te Sarmata Invisit, et Britannus, et te duplicis Hispaniae alumnus, etc. Extravagant, then, and wayward as might be the thought of my learned coach companion, when, in the nineteenth century, he imag- ined, Norman-wise, to turn a score of villages into a park or pleas- aunce, still, the waywardness of his fancy is excused by the justness of his principle; for certainly, such as he would have made it, a Uni- SITE OF A UNIVERSITY 47 versity ought to be. Old Antony-a-Wood, discoursing on the de- mands of a University, had expressed the same sentiment long before him; as Horace in ancient times, with reference to Athens itself, when he spoke of seeking truth "in the groves of Academe." And to Athens, as will be seen, Wood himself appeals, when he would discourse of Oxford. Among "those things which are required to make a University," he puts down, — "First, a good and pleasant site, where there is a wholesome and temperate constitution of the air; composed with waters, springs or wells, woods and pleasant fields; which being obtained, those com- modities are enough to invite students to stay and abide there. As the Athenians in ancient times were happy for their conveniences, so also were the Britons, when by a remnant of the Grecians that came amongst them, they or their successors selected such a place in Britain to plant a school or schools therein, which for its pleasant situation was afterwards called Bellositum or Bellosite, now Oxford, privileged with all those conveniences before mentioned." By others the local advantages of that University have been more philosophically analyzed; — for instance, with a reference to its posi- tion in the middle of southern England; its situation on several islands in a broad plain, through which many streams flowed; the surrounding marshes, which, in times when it was needed, protected the city from invaders; its own strength as a military position; its easy communication with London, nay with the sea, by means of the Thames; while the London fortifications hindered pirates from ascending the stream, which all the time was so ready and con- venient for a descent. Alas! for centuries past that city has lost its prime honour and boast, as a servant and soldier of the Truth. Once named the second school of the Church, second only to Paris, the foster-mother of St. Edmund, St. Richard, St. Thomas Cantilupe, the theatre of great intellects, of Scotus the subtle Doctor, of Hales the irrefragable, of Occam the special, of Bacon the admirable, of Middleton the solid, and of Bradwardine the profound, Oxford has now lapsed to that level of mere human loveliness, which in its highest perfection we admire in Athens. Nor would it have a place, now or hereafter, in these pages, nor would it occur to me to speak its name, except 48 NEWMAN that, even in its sorrowful deprivation, it still retains so much of that outward lustre, which, like the brightness on the prophet's face, ought to be a ray from an illumination within, as to afford me an illustration of the point on which I am engaged, viz., what should be the material dwelling-place and appearance, the local circum- stances, and the secular concomitants of a great University. Pictures are drawn in tales of romance, of spirits seemingly too beautiful in their fall to be really fallen, and the holy Pope at Rome, Gregory, in fact, and not in fiction, looked upon the blue eyes and golden hair of the fierce Saxon youth in the slave market, and pronounced them Angels, not Angles; and the spell which this once loyal daugh- ter of the Church still exercises upon the foreign visitor, even now when her true glory is departed, suggests to us how far more majestic and more touching, how brimful of indescribable influence would be the presence of a University, which was planted within, not with- out Jerusalem, — an influence, potent as her truth is strong, wide as her sway is world-wide, and growing, not lessening, by the extent of space over which its attraction would be exerted. Let the reader then listen to the words of the last learned German, who has treated of Oxford, and judge for himself if they do not bear me out, in what I have said of the fascination which the very face and smile of a University possess over those who come within its range. "There is scarce a spot in the world," says Huber, "that bears an historical stamp so deep and varied as Oxford; where so many noble memorials of moral and material power cooperating to an honour- able end, meet the eye all at once. He who can be proof against the strong emotions which the whole aspect and genius of the place tend to inspire, must be dull, thoughtless, uneducated, or of very per- verted views. Others will bear us witness, that, even side by side with the Eternal Rome, the Alma Mater of Oxford may be fitly named, as producing a deep, a lasting, and peculiar impression. "In one of the most fertile districts of the Queen of the Seas, whom nature has so richly blessed, whom for centuries past no footstep of foreign armies has desecrated, lies a broad green vale, where the Cherwell and the Isis mingle their full, clear waters. Here and there primeval elms and oaks overshadow them; while in their various SITE OF A UNIVERSITY 49 windings they encircle gardens, meadows, and fields, villages, cot- tages, farm-houses, and country-seats, in motley mixture. In the midst rises a mass of mighty buildings, the general character of which varies between convent, palace, and castle. Some few Gothic church-towers and Romaic domes, it is true, break through the horizontal lines; yet the general impression at a distance and at first sight, is essentially different from that of any of the towns of the middle ages. The outlines are far from being so sharp, so angular, so irregular, so fantastical; a certain softness, a peculiar repose, reigns in those broader, terrace-like rising masses. Only in the creations of Claude Lorraine or Poussin could we expect to find a spot to compare with the prevailing character of this picture, especially when lit up by a favourable light. The principal masses consist of Colleges, the University buildings, and the city churches; and by the side of these the city itself is lost on distant view. But on entering the streets, we find around us all the signs of an active and prosperous trade. Rich and elegant shops in profusion afford a sight to be found nowhere but in England; but with all this glitter and show, they sink into a modest, and, as it were, a menial attitude, by the side of the grandly severe memorials of the higher intellectual life, memorials which have been growing out of that life from almost the beginning of Christianity itself. Those rich and elegant shops are, as it were, the domestic offices of these palaces of learning, which ever rivet the eye of the observer, while all besides seems perforce to be subservient to them. Each of the larger and more ancient Colleges looks like a separate whole — an entire town, whose walls and monuments proclaim the vigorous growth of many centuries; and the town itself has happily escaped the lot of modern beautifying, and in this respect harmonizes with the Colleges." There are those who, having felt the influence of this ancient School, and being smit with its splendour and its sweetness, ask wistfully, if never again it is to be Catholic, or whether at least some footing for Catholicity may not be found there. All honour and merit to the charitable and zealous hearts who so inquire! Nor can we dare to tell what in time to come may be the inscrutable purposes of that grace, which is ever more comprehensive than human hope and aspiration. But for me, from the day I left its 50 NEWMAN walls, I never, for good or bad, have had anticipation of its future; and never for a moment have I had a wish to see again a place, which I have never ceased to love, and where I lived for nearly thirty years. Nay, looking at the general state of things at this day, I desiderate for a School of the Church, if an additional School is to be granted to us, a more central position than Oxford has to show. Since the age of Alfred and of the first Henry, the world has grown, from the west and south of Europe, into four or five continents; and I look for a city less inland than that old sanctuary, and a country closer upon the highway of the seas. I look towards a land both old and young; old in its Christianity, young in the promise of its future; a nation, which received grace before the Saxon came to Britain, and which has never quenched it; a Church, which comprehends in its history the rise and fall of Canterbury and York, which Augustine and Paulinus found, and Pole and Fisher left behind them. I con- template a people which has had a long night, and will have an inevitable day. I am turning my eyes towards a hundred years to come, and I dimly see the island I am gazing on, become the road of passage and union between two hemispheres, and the centre of the world. I see its inhabitants rival Belgium in populousness, France in vigour, and Spain in enthusiasm; and I see England taught by advancing years to exercise in its behalf that good sense which is her characteristic towards every one else. The capital of that pros- perous and hopeful land is situate in a beautiful bay and near a romantic region; and in it I see a flourishing University, which for a while had to struggle with fortune, but which, when its first founders and servants were dead and gone, had successes far exceed- ing their anxieties. Thither, as to a sacred soil, the home of their fathers, and the fountain-head of their Christianity, students are flocking from East, West, and South, from America and Australia and India, from Egypt and Asia Minor, with the ease and rapidity of a locomotion not yet discovered, and last, though not least, from England, — all speaking one tongue, all owning one faith, all eager for one large true wisdom; and thence, when their stay is over, going back again to carry over all the earth "peace to men of good will." III. UNIVERSITY LIFE AT ATHENS HOWEVER apposite may have been the digression into which I was led when I had got about half through the foregoing Chapter, it has had the inconvenience of what may be called running me off the rails; and now that I wish to pro- ceed from the point at which it took place, I shall find some trouble, if I may continue the metaphor, in getting up the steam again, or if I may change it, in getting into the swing of my subject. It has been my desire, were I able, to bring before the reader what Athens may have been, viewed as what we have since called a Uni- versity; and to do this, not with any purpose of writing a panegyric on a heathen city, or of denying its many deformities, or of con- cealing what was morally base in what was intellectually great, but just the contrary, of representing things as they really were; so far, that is, as to enable him to see what a University is, in the very constitution of society and in its own idea, what is its nature and object, and what it needs of aid and support external to itself to complete that nature and to secure that object. So now let us fancy our Scythian, or Armenian, or African, or Italian, or Gallic student, after tossing on the Saronic waves, which would be his more ordinary course to Athens, at last casting anchor at Pirsus. He is of any condition or rank of life you please, and may be made to order, from a prince to a peasant. Perhaps he is some Cleanthes, who has been a boxer in the public games. How did it ever cross his brain to betake himself to Athens in search of wisdom? or, if he came thither by accident, how did the love of it ever touch his heart? But so it was, to Athens he came with three drachms in his girdle, and he got his livelihood by drawing water, carrying loads, and the like servile occupations. He attached him- self, of all philosophers, to Zeno the Stoic, — to Zeno, the most high- minded, the most haughty of speculators; and out of his daily earn- 51 52 NEWMAN ings the poor scholar brought his master the daily sum o£ an obolus. in payment for attending his lectures. Such progress did he make, that on Zeno's death he actually was his successor in his school; and, if my memory does not play me false, he is the author of a hymn to the Supreme Being, which is one of the noblest effusions of the kind in classical poetry. Yet, even when he was the head of a school, he continued in his illiberal toil as if he had been a monk; and it is said that once, when the wind took his pallium, and blew it aside, he was discovered to have no other garment at all; — something like the German student who came up to Heidelberg with nothing upon him but a greatcoat and a pair of pistols. Or it is another disciple of the Porch, — Stoic by nature, earlier than by profession, — who is entering the city; but in what different fashion he comes! It is no other than Marcus, Emperor of Rome and philosopher. Professors long since were summoned from Athens for his service, when he was a youth, and now he comes, after his victories in the battlefield, to make his acknowledgments, at the end of life, to the city of wisdom, and to submit himself to an initiation into the Eleusinian mysteries. Or it is a young man of great promise as an orator, were it not for his weakness of chest, which renders it necessary that he should acquire the art of speaking without over-exertion, and should adopt a delivery sufficient for the display of his rhetorical talents on the one hand, yet merciful to his physical resources on the other. He is called Cicero; he will stop but a short time, and will pass over to Asia Minor and its cities, before he returns to continue a career which will render his name immortal; and he will like his short so- journ at Athens so well, that he will take good care to send his son thither at an earlier age than he visited it himself. But see where comes from Alexandria (for we need not be very solicitous about anachronisms) , a young man from twenty to twenty- two, who has narrowly escaped drowning on his voyage, and is to remain at Athens as many as eight or ten years, yet in the course of that time will not learn a line of Latin, thinking it enough to become accomplished in Greek composition, and in that he will succeed. He is a grave person, and difficult to make out; some say he is a Christian, something or other in the Christian line his UNIVERSITY LIFE AT ATHENS 53 father is for certain. His name is Gregory, he is by country a Cappa- docian, and will in time become preeminently a theologian, and one of the principal Doctors of the Greek Church. Or it is one Horace, a youth of low stature and black hair, whose father has given him an education at Rome above his rank in life, and now is sending him to finish it at Athens; he is said to have a turn for poetry: a hero he is not, and it were well if he knew it; but he is caught by the enthusiasm of the hour, and goes off cam- paigning with Brutus and Cassius, and will leave his shield behind him on the field of Philippi. Or it is a mere boy of fifteen: his name Eunapius; though the voyage was not long, seasickness, or confinement, or bad living on board the vessel, threw him into a fever, and, when the passengers landed in the evening at Piraeus, he could not stand. His country- men who accompanied him, took him up among them and carried him to the house of the great teacher of the day, Projeresius, who was a friend of the captain's, and whose fame it was which drew the enthusiastic youth to Athens. His companions understand the sort of place they are in, and, with the licence of academic students, they break into the philosopher's house, though he appears to have retired for the night, and proceed to make themselves free of it, with an absence of ceiemony, which is only not impudence, because Proasresius takes it so easily. Strange introduction for our stranger to a seat of learning, but not out of keeping with Athens; for what could you expect of a place where there was a mob of youths and not even the pretence of control; where the poorer lived any how, and got on as they could, and the teachers themselves had no pro- tection from the humours and caprices of the students who filled their lecture-halls.? However, as to this Eunapius, Proarresius took a fancy to the boy, and told him curious stories about Athenian life. He himself had come up to the University with one Hephaestion, and they were even worse off than Cleanthes the Stoic; for they had only one cloak between them, and nothing whatever besides, except some old bedding; so when Proaeresius went abroad, Hephaestion lay in bed, and practised himself in oratory; and then Hephxstion put on the cloak, and Proseresius crept under the coverlet. At another time there was so fierce a feud between what would be called "town 54 NEWMAN and gown" in an English University, that the Professors did not dare lecture in public, for fear of ill treatment. But a freshman like Eunapius soon got experience for himself of the ways and manners prevalent in Athens. Such a one as he had hardly entered the city, when he was caught hold of by a party of the academic youth, who proceeded to practise on his awkwardness and his ignorance. At first sight one wonders at their childishness; but the like conduct obtained in the medieval Universities; and not many months have passed away since the journals have told us of sober Englishmen, given to matter-of-fact calculations, and to the anxieties of money-making, pelting each other with snowballs on their own sacred territory, and defying the magistracy, when they would interfere with their privilege of becoming boys. So I suppose we must attribute it to something or other in human nature. Mean- while, there stands the new-comer, surrounded by a circle of his new associates, who forthwith proceed to frighten, and to banter, and to make a fool of him, to the extent of their wit. Some address him with mock politeness, others with fierceness; and so they conduct him in solemn procession across the Agora to the Baths; and as they approach, they dance about him like madmen. But this was to be the end of his trial, for the Bath was a sort of initiation; he thereupon received the pallium, or University gown, and was suf- fered by his tormentors to depart in peace. One alone is recorded as having been exempted from this persecution; it was a youth graver and loftier than even St. Gregory himself: but it was not from his force of character, but at the instance of Gregory, that he escaped. Gregory was his bosom-friend, and was ready in Athens to shelter him when he came. It was another Saint and Doctor; the great Basil, then, (it would appear,) as Gregory, but a catechumen of the Church. But to return to our freshman. His troubles are not at an end, though he has got his gown upon him. Where is he to lodge ? whom is he to attend ? He finds himself seized, before he well knows where he is, by another party of men, or three or four parties at once, like foreign porters at a landing, who seize on the baggage of the perplexed stranger, and thrust half a dozen cards into his unwilling hands. Our youth is plied by the hangers-on of professor this, or UNIVERSITY LIFE AT ATHENS 55 sophist that, each of whom wishes the fame or the profit of having a houseful. We will say that he escapes from their hands, — ^but then he will have to choose for himself where he will put up; and, to tell the truth, with all the praise I have already given, and the praise I shall have to give, to the city of mind, nevertheless, between our- selves, the brick and wood which formed it, the actual tenements, where flesh and blood had to lodge (always excepting the mansions of great men of the place), do not seem to have been much better than those of Greek or Turkish towns which are at this moment a topic of interest and ridicule in the public prints. A lively picture has lately been set before us of Gallipoli. Take, says the writer, a multitude of the dilapidated outhouses found in farm-yards in Eng- land, of the rickety old wooden tenements, the cracked, shutterless structures of planks and tiles, the sheds and stalls, which our by-lanes, or fish-markets, or river-sides can supply; tumble them down on the declivity of a bare bald hill; let the spaces between house and house, thus accidentally determined, be understood to form streets, winding of course for no reason, and with no meaning, up and down the town; the roadway always narrow, the breadth never uniform, the separate houses bulging or retiring below, as circumstances may have determined, and leaning forward till they meet overhead; — and you have a good idea of Gallipoli. I question whether this picture would not nearly correspond to the special seat of the Muses in ancient times. Learned writers assure us distinctly that the houses of Athens were for the most part small and mean; that the streets were crooked and narrow; that the upper stories projected over the roadway; and that staircases, balustrades, and doors that opened outwards, ob- structed it; — a remarkable coincidence of description. I do not doubt at all, though history is silent, that that roadway was jolting to car- riages, and all but impassable; and that it was traversed by drains, as freely as any Turkish town now. Athens seems in these respects to have been below the average cities of its time. "A stranger," says an ancient, "might doubt, on the sudden view, if really he saw Athens." I grant all this, and much more, if you will; but, recollect, Athens was the home of the intellectual, and beautiful; not of low mechan- ical contrivances, and material organization. Why stop within your 56 NEWMAN lodgings counting the rents in your wall or the holes in your tiling, when nature and art call you away? You must put up with such a chamber, and a table, and a stool, and a sleeping board, anywhere else in the three continents; one place does not differ from another indoors; your magalia in Africa, or your grottos in Syria, are not perfection. I suppose you did not come to Athens to swarm up a ladder, or to grope about a closet: you came to see and to hear, what hear and see you could not elsewhere. What food for the intellect is it possible to procure indoors, that you stay there looking about you? do you think to read there? where are your books? do you expect to purchase books at Athens ? — you are much out in your calculations. True it is, we at this day, who live in the nineteenth century, have the books of Greece as a perpetual memorial; and copies there have been, since the time that they were written; but you need not go to Athens to procure them, nor would you find them in Athens. Strange to say, strange to the nineteenth century, that in the age of Plato and Thucydides, there was not, it is said, a bookshop in the whole place: nor was the book trade in existence till the very time of Augustus. Libraries, I suspect, were the bright invention of Attalus or the Ptolemies; I doubt whether Athens had a library till the reign of Hadrian. It was what the student gazed on, what he heard, what he caught by the magic of sympathy, not what he read, which was the education furnished by Athens. He leaves his narrow lodging early in the morning; and not till night, if even then, will he return. It is but a crib or kennel, — ^in which he sleeps when the weather is inclement or the ground damp; in no respect a home. And he goes out of doors, not to read the day's newspaper, or to buy the gay shilling volume, but to imbibe the invisible atmosphere of genius, and to learn by heart the oral tradi- tions of taste. Out he goes; and, leaving the tumble-down town behind him, he mounts the Acropolis to the right, or he turns to the Areopagus on the left. He goes to the Parthenon to study the sculp- tures of Phidias; to the temple of the Dioscuri to see the paintings of Polygnotus. We indeed take our Sophocles or ^schylus out of our coat-pocket; but, if our sojourner at Athens would understand how a tragic poet can write, he must betake himself to the theatre on the south, and see and hear the drama literally in action. Or let UNIVERSITY LIFE AT ATHENS 57 him go westward to the Agora, and there he will hear Lysias or Andocides pleading, or Demosthenes haranguing. He goes farther west still, along the shade of those noble planes, which Cimon has planted there; and he looks around him at the statues and porticos and vestibules, each by itself a work of genius and skill, enough to be the making of another city. He passes through the city gate, and then he is at the famous Ceramicus; here are the tombs of the mighty dead; and here, we will suppose, is Pericles himself, the most elevated, the most thrilling of orators, converting a funeral oration over the slain into a philosophical panegyric of the living. Onwards he proceeds still; and now he has come to that still more celebrated Academe, which has bestowed its own name on Uni- versities down to this day; and there he sees a sight which will be graven on his memory till he dies. Many are the beauties of the place, the groves, and the statues, and the temple, and the stream of the Cephissus flowing by; many are the lessons which will be taught him day after day by teacher or by companion; but his eye is just now arrested by one object; it is the very presence of Plato. He does not hear a word that he says; he does not care to hear; he asks neither for discourse nor disputation; what he sees is a whole, complete in itself, not to be increased by addition, and greater than anything else. It will be a point in the history of his life; a stay for his memory to rest on, a burning thought in his heart, a bond of union with men of like mind, ever afterwards. Such is the spell which the living man exerts on his fellows, for good or for evil. How nature impels us to lean upon others, making virtue, or genius, or name, the qualification for our doing so! A Spaniard is said to have travelled to Italy, simply to see Livy; he had his fill of gazing, and then went back again home. Had our young stranger got noth- ing by his voyage but the sight of the breathing and moving Plato, had he entered no lecture-room to hear, no gymnasium to converse, he had got some measure of education, and something to tell of to his grandchildren. But Plato is not the only sage, nor the sight of him the only lesson to be learned in this wonderful suburb. It is the region and the realm of philosophy. Colleges were the inventions of many centuries later; and they imply a sort of cloistered life, or at least a life of rule, 58 NEWMAN scarcely natural to an Athenian. It was the boast of the philosophic statesman of Athens, that his countrymen achieved by the mere force of nature and the love of the noble and the great, what other people aimed at by laborious discipline; and all who came among them were submitted to the same method of education. We have traced our student on his wanderings from the Acropolis to the Sacred Way; and now he is in the region of the schools. No awful arch, no window of many-coloured lights marks the seats of learning there or elsewhere; philosophy lives out of doors. No close atmos- phere oppresses the brain or inflames the eyelid; no long session stiffens the limbs. Epicurus is reclining in his garden; Zeno looks like a divinity in his porch; the restless Aristotle, on the other side of the city, as if in antagonism to Plato, is walking his pupils off their legs in his Lyceum by the Ilyssus. Our student has determined on entering himself as a disciple of Theophrastus, a teacher of mar- vellous popularity, who has brought together two thousand pupils from all parts of the world. He himself is of Lesbos; for masters, as well as students, come hither from all regions of the earth, — as befits a University. How could Athens have collected hearers in such numbers, unless she had selected teachers of such power? it was the range of territory, which the notion of a University implies, which furnished both the quantity of the one, and the quality of the other. Anaxagoras was from Ionia, Carneades from Africa, Zeno from Cyprus, Protagoras from Thrace, and Gorgias from Sicily. Andromachus was a Syrian, Proa^resius an Armenian, Hilarius a Bithynian, Philiscus a Thessalian, Hadrian a Syrian. Rome is cele- brated for her liberaUty in civil matters; Athens was as liberal in intellectual. There was no narrow jealousy, directed against a Pro- fessor, because he was not an Athenian; genius and talent were the qualifications; and to bring them to Athens, was to do homage to it as a University. There was a brotherhood and a citizenship of mind. Mind came first, and was the foundation of the academical polity; but it soon brought along with it, and gathered round itself, the gifts of fortune and the prizes of life. As time went on, wisdom was not always sentenced to the bare cloak of Cleanthes; but beginning in rags, it ended in fine linen. The Professors became honourable UNIVERSITY LIFE AT ATHENS 59 and rich; and the students ranged themselves under their names, and were proud of caUing themselves their countrymen. The Uni- versity was divided into four great nations, as the medieval anti- quarian would style them; and in the middle of the fourth century, Proaeresius was the leader or proctor of the Attic, Hephaestion of the Oriental, Epiphanius of the Arabic, and Diophantus of the Pon- tic. Thus the Professors were both patrons of clients, and hosts and proxeni of strangers and visitors, as well as masters of the schools: and the Cappadocian, Syrian, or Sicilian youth who came to one or other of them, would be encouraged to study by his protection, and to aspire by his example. Even Plato, when the schools of Athens were not a hundred years old, was in circumstances to enjoy the otium cum dignitate. He had a villa out at Heraclea; and he left his patrimony to his school, in whose hands it remained, not only safe, but fructifying, a marvellous phenomenon in tumultuous Greece, for the long space of eight hun- dred years. Epicurus too had the property of the Gardens where he lectured; and these too became the property of his sect. But in Roman times the chairs of grammar, rhetoric, politics, and the four philosophies, were handsomely endowed by the State; some of the Professors were themselves statesmen or high functionaries, and brought to their favourite study senatorial rank or Asiatic opu- lence. Patrons such as these can compensate to the freshman, in whom we have interested ourselves, for the poorness of his lodging and the turbulence of his companions. In every thing there is a better side and a worse; in every place a disreputable set and a respectable, and the one is hardly known at all to the other. Men come away from the same University at this day, with contradictory impressions and contradictory statements, according to the society they have found there; if you believe the one, nothing goes on there as it should be: if you believe the other, nothing goes on as it should not. Virtue, however, and decency are at least in the niinority everywhere, and under some sort of a cloud or disadvantage; and this being the case, it is so much gain whenever an Herodes Atticus is found, to throw the influence of wealth and station on the side even of a dec- orous philosophy. A consular man, and the heir of an ample for- 60 NEWMAN tune, this Herod was content to devote his Hfe to a professorship, and his fortune to the patronage of hterature. He gave the sophist Polemo about eight thousand pounds, as the sum is calculated, for three declamations. He built at Athens a stadium six hundred feet long, entirely of white marble, and capable of admitting the whole population. His theatre, erected to the memory of his wife, was made of cedar wood curiously carved. He had two villas, one at Marathon, the place of his birth, about ten miles from Athens, the other at Cephissia, at the distance of six; and thither he drew to him the elite, and at times the whole body of the students. Long arcades, groves of trees, clear pools for the bath, delighted and recruited the summer visitor. Never was so brilliant a lecture-room as his evening banqueting-hall; highly connected students from Rome mixed with the sharp-witted provincial of Greece or Asia Minor; and the flippant sciolist, and the nondescript visitor, half philosopher, half tramp, met with a reception, courteous always, but suitable to his deserts. Herod was noted for his repartees; and we have instances on record of his setting down, according to the emergency, both the one and the other. A higher line, though a rarer one, was that allotted to the youthful Basil. He was one of those men who seem by a sort of fascination to draw others around them even without wishing it. One might have deemed that his gravity and his reserve would have kept them at a distance; but, almost in spite of himself, he was the centre of a knot of youths, who, pagans as most of them were, used Athens honestly for the purpose for which they professed to seek it; and, disappointed and displeased with the place himself, he seems never- theless to have been the means of their profiting by its advantages. One of these was Sophronius, who afterwards held a high office in the State: Eusebius was another, at that time the bosom-friend of Sophronius, and afterwards a Bishop. Celsus too is named, who afterwards was raised to the government of Cilicia by the Emperor Julian. Julian himself, in the sequel of unhappy memory, was then at Athens, and known at least to St. Gregory. Another Julian is also mentioned, who was afterwards commissioner of the land tax. Here we have a glimpse of the better kind of society among the students of Athens; and it is to the credit of the parties composing UNIVERSITY LIFE AT ATHENS 6 1 it, that such young men as Gregory and Basil, men as intimately connected with Christianity as they were well known in the world, should hold so high a place in their esteem and love. When the two saints were departing, their companions came around them with the hope of changing their purpose. Basil persevered; but Gregory relented, and turned back to Athens for a season. THE STUDY OF POETRY BY MATTHEW ARNOLD INTRODUCTORY NOTE Matthew Arnold was the son of the well-known English school- master, Thomas Arnold of Rugby. He was born at Laleham in 1822, and went to school at Winchester and Rugby. Going up to Balliol College, Oxford, in 1841, he won a scholarship, took the Newdigate prize for English verse, and was elected fellow of Oriel in 1845. After some years as a private secretary, he became an Inspector of Schools and performed the routine duties of this office for thirty-five years. For ten years he was Professor of Poetry at Oxford, and in 1883-84 he lectured in America. He died in 1888. Arnold is notable among modern men of letters as being almost equally distinguished in poetry and prose. His poetical work belongs to the earlier part of his career, and was practically finished by 1867. At the time of its first publication it appealed to only a narrow public; but it rose steadily in esteem through Arnold's life, though he ceased to add to it, and now many critics hold that it will outlive his prose. The best of it is refined in feeling, lofty in thought, and exquisite in expression; its prevailing note, a subdued melancholy. In prose Arnold wrote on many themes — educational, social, political, and, especially, literary and religious. His attacks on dogmatic Chris- tianity promise to be the most short-lived of his works; and perhaps deservedly so, as here Arnold was dealing with technical matters in which he was not an expert. In literary criticism he has been and still is a vital influence, urging especially the value of an outlook over the literatures of other countries and the cultivating of an intimacy with the great classics of the past. In the following essay on "The Study of Poetry," one of the most famous of his utterances, there may be found exemplified his characteristically vivacious and memorable style, his delicate appre- ciations brilliantly and precisely expressed, his concrete and persuasive argument. Perhaps no single critical document of our time has con- tributed so many phrases to the current literary vocabulary, or has stim- ulated so many readers to the use of lofty and definite standards of judg- ment. THE STUDY OF POETRY' THE future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay. There is not a creed which is not shaken, not an accredited dogma which is not shown to be questionable, not a received tradition which does not threaten to dissolve. Our religion has materialised itself in the fact, in the supposed fact; it has attached its emotion to the fact, and now the fact is failing it. But for poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion to-day is its unconscious poetry.' Let me be permitted to quote these words of my own, as uttering the thought which should, in my opinion, go with us and govern us in all our study of poetry. In the present work it is the course of one great contributory stream to the world-river of poetry that we are invited to follow. We are here invited to trace the stream of English poetry. But whether we set ourselves, as here, to follow only one of the several streams that make the mighty river of poetry, or whether we seek to know them all, our governing thought should be the same. We should conceive of poetry worthily, and more highly than it has been the custom to conceive of it. We should conceive of it as capable of higher uses, and called to higher destinies, than those which in general men have assigned to it hitherto. More and more mankind will discover that we have to turn to poetry to interpret life for us, to console us, to sustain us. Without poetry, our science will appear incomplete; and most of what now passes with us for religion and philosophy will be replaced by poetry. Science, I say, will appear incomplete without it. For finely and truly does Wordsworth call poetry 'the impassioned expression which 'Published in 1880 as the General Introduction to 'The English Poets,' edited by T. H. Ward. 65 66 ARNOLD is in the countenance of all science'; and what is a countenance with- out its expression ? Again, Wordsworth finely and truly calls poetry 'the breath and finer spirit of all knowledge'; our religion, parading evidences such as those on which the popular mind relies now; our philosophy, pluming itself on its reasonings about causation and finite and infinite being; what are they but the shadows and dreams and false shows of knowledge? The day will come when we shall wonder at ourselves for having trusted to them, for having taken them seriously; and the more we perceive their hollo wness, the more we shall prize 'the breath and finer spirit of knowledge' offered to us by poetry. But if we conceive thus highly of the destinies of poetry, we must also set our standard for poetry high, since poetry, to be capable of fulfilling such high destinies, must be poetry of a high order of excellence. We must accustom ourselves to a high standard and to a strict judgment. Sainte-Beuve relates that Napoleon one day said, when somebody was spoken of in his presence as a charlatan : 'Char- latan as much as you please; but where is there not charlatanism?' — 'Yes,' answers Sainte-Beuve, 'in politics, in the art of governing mankind, that is perhaps true. But in the order of thought, in art, the glory, the eternal honour is that charlatanism shall find no en- trance; herein lies the inviolableness of that noble portion of man's being.' It is admirably said, and let us hold fast to it. In poetry, which is thought and art in one, it is the glory, the eternal honour, that charlatanism shall find no entrance; that this noble sphere be kept inviolate and inviolable. Charlatanism is for confusing or obliterating the distinctions between excellent and inferior, sound and unsound or only half-sound, true and untrue or only half-true. It is charlatanism, conscious or unconscious, whenever we confuse or obliterate these. And in poetry, more than anywhere else, it is unpermissible to confuse or obliterate them. For in poetry the dis- tinction between excellent and inferior, sound and unsound or only half-sound, true and untrue or only half-true, is of paramount im- portance. It is of paramount importance because of the high destinies of poetry. In poetry, as in criticism of life under the conditions fixed for such a criticism by the laws of poetic truth and poetic beauty, the spirit of our race will find, we have said, as time goes on and THE STUDY OF POETRY 67 as other helps fail, its consolation and stay. But the consolation and stay will be of power in proportion to the power of the criticism of life. And the criticism of life will be of power in proportion as the poetry conveying it is excellent rather than inferior, sound rather than unsound or half-sound, true rather than untrue or half-true. The best poetry is what we want; the best poetry will be found to have a power of forming, sustaining, and delighting us, as nothing else can. A clearer, deeper sense of the best in poetry, and of the strength and joy to be drawn from it, is the most precious benefit which we can gather from a poetical collection such as the present. And yet in the very nature and conduct of such a collection there is inevitably something which tends to obscure in us the consciousness of what our benefit should be, and to distract us from the pursuit of it. We should therefore steadily set it before our minds at the outset, and should compel ourselves to revert constantly to the thought of it as we proceed. Yes; constantly in reading poetry, a sense for the best, the really excellent, and of the strength and joy to be drawn from it, should be present in our minds and should govern our estimate of what we read. But this real estimate, the only true one, is liable to be super- seded, if we are not watchful, by two other kinds of estimate, the historic estimate and the personal estimate, both of which are falla- cious. A poet or a poem may count to us historically, they may count to us on grounds personal to ourselves, and they may count to us really. They may count to us historically. The course of develop- ment of a nation's language, thought, and poetry, is profoundly interesting; and by regarding a poet's work as a stage in this course of development we may easily bring ourselves to make it of more importance as poetry than in itself it really is, we may come to use a language of quite exaggerated praise in criticising it; in short, to overrate it. So arises in our poetic judgments the fallacy caused by the estimate which we may call historic. Then, again, a poet or poem may count to us on grounds personal to ourselves. Our per- sonal affinities, likings and circumstances, have great power to sway our estimate of this or that poet's work, and to make us attach more importance to it as poetry than in itself it really possesses, because to us it is, or has been, of high importance. Here also we 68 ARNOLD overrate the object of our interest, and apply to it a language of praise which is quite exaggerated. And thus we get the source of a second fallacy in our poetic judgments — the fallacy caused by an estimate which we may call personal. Both fallacies are natural. It is evident how naturally the study of the history and development of poetry may incline a man to pause over reputations arid works once conspicuous but now obscure, and to quarrel with a careless public for skipping, in obedience to mere tradition and habit, from one famous name or work in its national poetry to another, ignorant of what it misses, and of the reason for keeping what it keeps, and of the whole process of growth in its poetry. The French have become diligent students of their own early poetry, which they long neglected; the study makes many of them dissatisfied with their so-called classical poetry, the court- tragedy of the seventeenth century, a poetry which Pellisson long ago reproached with its want of the true poetic stamp, with its politesse sterile et rampante, but which nevertheless has reigned in France as absolutely as if it had been the perfection of classical poetry indeed. The dissatisfaction is natural; yet a lively and accom- plished critic, M. Charles d'Hericault, the editor of Clement Marot, goes too far when he says that 'the cloud of glory playing round a classic is a mist as dangerous to the future of a literature as it is intolerable for the purposes of history.' 'It hinders,' he goes on, 'it hinders us from seeing more than one single point, the culminating and exceptional point; the summary, fictitious and arbitrary, of a thought and of a work. It substitutes a halo for a physiognomy, it puts a statue where there was once a man, and hiding from us all trace of the labour, the attempts, the weaknesses, the failures, it claims not study but veneration; it does not show us how the thing is done, it imposes upon us a model. Above all, for the historian this creation of classic personages is inadmissible; for it withdraws the poet from his time, from his proper life, it breaks historical relationships, it blinds criticism by conventional admiration, and renders the investigation of literary origins unacceptable. It gives us a human personage no longer but a God seated immovable amidst His perfect work, like Jupiter on Olympus; and hardly will it be possible for the young student to whom such work is exhibited at THE STUDY OF POETRY 69 such a distance from him, to beUeve that it did not issue ready-made from that divine head.' All this is brilliantly and tellingly said, but we must plead for a distinction. Everything depends on the reality of a poet's classic character. If he is a dubious classic, let us sift him; if he is a false classic, let us explode him. But if he is a real classic, if his work belongs to the class of the very best (for this is the true and right meaning of the word classic, classical), then the great thing for us is to feel and enjoy his work as deeply as ever we can, and to appreciate the wide difference between it and all work which has not the same high character. This is what is salutary, this is what is formative; this is the great benefit to be got from the study of poetry. Every- thing which interferes with it, which hinders it, is injurious. True, we must read our classic with open eyes, and not with eyes blinded with superstition; we must perceive when his work comes short, when it drops out of the class of the very best, and we must rate it, in such cases, at its proper value. But the use of this negative criti- cism is not in itself, it is entirely in its enabling us to have a clearer sense and a deeper enjoyment of what is truly excellent. To trace the labour, the attempts, the weaknesses, the failures of a genuine classic, to acquaint oneself with his time and his life and his his- torical relationships, is mere literary dilettantism unless it has that clear sense and deeper enjoyment for its end. It may be said that the more we know about a classic the better we shall enjoy him; and, if we lived as long as Methuselah and had all of us heads of perfect clearness and wills of perfect steadfastness, this might be true in fact as it is plausible in theory. But the case here is much the same as the case with the Greek and Latin studies of our schoolboys. The elaborate philological groundwork which we require them to lay is in theory an admirable preparation for appreciating the Greek and Latin authors worthily. The more thoroughly we lay the ground- work, the better we shall be able, it may be said, to enjoy the authors. True, if time were not so short, and schoolboys' wits not so soon tired and their power of attention exhausted; only, as it is, the elaborate philological preparation goes on, but the authors are little known and less enjoyed. So with the investigator of 'historic origins' in poetry. He ought to enjoy the true classic all the better for his 70 ARNOLD investigations; he often is distracted from the enjoyment of the best, and with the less good he overbusies himself, and is prone to over- rate it in proportion to the trouble which it has cost him. The idea of tracing historic origins and historical relationships cannot be absent from a compilation like the present. And naturally the poets to be exhibited in it will be assigned to those persons for exhibition who are known to prize them highly, rather than to those who have no special inclination towards them. Moreover, the very occupation with an author, and the business of exhibiting him, dis- poses us to affirm and amplify his importance. In the present work, therefore, we are sure of frequent temptation to adopt the historic estimate, or the personal estimate, and to forget the real estimate; which latter, nevertheless, we must employ if we are to make f)oetry yield us its full benefit. So high is that benefit, the benefit of clearly feeling and of deeply enjoying the really excellent, the truly classic in poetry, that we do well, I say, to set it fixedly before our minds as our object in studying poets and poetry, and to make the desire of attaining it the one principle to which, as the Imitation says, what- ever we may read or come to know, we always return. Cum multa legeris et cognoveris, ad unum semper oportet redire principium. The historic estimate is likely in especial to affect our judgment and our language when we are dealing with ancient poets; the personal estimate when we are dealing with poets our contempo- raries, or at any rate modern. The exaggerations due to the historic estimate are not in themselves, perhaps, of very much gravity. Their report hardly enters the general ear; probably they do not always impose even on the literary men who adopt them. But they lead to a dangerous abuse of language. So we hear Caedmon, amongst our own poets, compared to Milton. I have already noticed the enthusiasm of one accomplished French critic for 'historic origins.' Another eminent French critic, M. Vitet, comments upon that famous document of the early poetry of his nation, the Chanson de Roland. It is indeed a most interesting document. The joculator or jongleur Taillefer, who was with William the Conqueror's army at Hastings, marched before the Norman troops, so said the tradi- tion, singing 'of Charlemagne and of Roland and of Oliver, and of the vassals who died at Roncevaux'; and it is suggested that in the THE STUDY OF POETRY 7I Chanson de Roland by one Turoldus or Theroulde, a poem pre- served in a manuscript o£ the twelfth century in the Bodleian Li- brary at Oxford, we have certainly the matter, perhaps even some of the words, of the chant which Taillefer sang. The poem has vigour and freshness; it is not without pathos. But M. Vitet is not satisfied with seeing in it a document of some poetic value, and of very high historic and linguistic value; he sees in it a grand and beautiful work, a monument of epic genius. In its general design he finds the grandiose conception, in its details he finds the constant union of simplicity with greatness, which are the marks, he truly says, of the genuine epic, and distinguish it from the artificial epic of literary ages. One thinks of Homer; this is the sort of praise which is given to Homer, and justly given. Higher praise there can- not well be, and it is the praise due to epic poetry of the highest order only, and to no other. Let us try, then, the Chanson de Roland at its best. Roland, mortally wounded, lay himself down under a pine-tree, with his face turned towards Spain and the enemy — 'De plusurs choses a remembrer li prist, De tantes teres cume li hers cunquist, De dulce France, des Humes de sun Hgn, De Carlemagne sun seignor ki I'nurrit.' ^ That is primitive work, I repeat, with an undeniable poetic quality of its own. It deserves such praise, and such praise is sufficient for it. But now turn to Homer — "Qj ipkro- TOW S' fj5ri Karextv tpval^oos oXa, kv AaKidalfiovi avdi, ip'Ovg iv xorpiSt yaly.' We are here in another world, another order of poetry altogether; here is rightly due such supreme praise as that which M. Vitet gives to the Chanson de Roland. If our words are to have any meaning, if our judgments are to have any solidity, we must not heap that supreme praise upon poetry of an order immeasurably inferior. ^ 'Then began he to call many things to remembrance, — all the lands which his valour conquered, and pleasant France, and the men of his lineage, and Charlemagne his liege lord who nourished him.' — 'Chanson de Roland,' iii. 939—942. ' 'So said she; they long since in Earth's soft arms were reposing. There, in their own dear land, their fatherland, Lacedxmon.' — 'Iliad,' iii. 243, 244 (translated by Dr. Hawtrey). 72 ARNOLD Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and ex- pressions of the great masters, and to apply them as a touchstone to other poetry. Of course we are not to require this other poetry to resemble them; it may be very dissimilar. But if we have any tact we shall find them, when v/e have lodged them well in our minds, an infallible touchstone for detecting the presence or absence of high poetic quality, and also the degree of this quality, in all other poetry which we may place beside them. Short passages, even single lines, will serve our turn quite sufficiently. Take the two lines which I have just quoted from Homer, the poet's comment on Helen's mention of her brothers; — or take his 'A SetXo), tI c^pCi'i Sd/iev JJrfKfj'i avaKTi OvqrQ ; ii/i€ts 5' kcFTOv ayripo} t' adavaroo re. ^ Iva 8vaTrivoi.cn fier' AvSpaaLV &\7t' ex'?'"'"' j* the address of Zeus to the horses of Peleus; — or take finally his .Kai ci, ykpov, ri irplv flip h,Koboixa> S\0u)v tlvat.-* the words of Achilles to Priam, a suppliant before him. Take that incomparable line and a half of Dante, Ugolino's tremendous words — 'lo no piangeva; si dentro impietrai. Piangevan elli ..." * take the lovely words of Beatrice to Virgil — 'lo son fatta da Die, sua merce, tale, Che la vostra miseria non mi tange, Ne fiamma d'esto incendio non m'assale .,.''' take the simple, but perfect, single line — 'In la sua volontade e nostra pace.' ' ■•'Ah, unhappy pair, why gave we you to King Peleus, to a mortal? but ye are without old age, and immortal. Was it that with men born to misery ye might have sorrow?' — 'Iliad,' xvii. 443-445. * 'Nay, and thou too, old man, in former days wast, as we hear, happy.' — 'Iliad,' xxiv. 543. 8 'I wailed not, so of stone grew I within; — they wailed.' — 'Inferno,' xxxiii. 39, 40. ' 'Of such sort hath God, thanked be His mercy, made me, that your misery toucheth me not, neither doth the tlame of this fire strike me." — 'Inferno,' ii. 91-93. * 'In His will is our peace.' — 'Paradiso,' iii. 85. THE STUDY OF POETRY 73 Take of Shakespeare a line or two of Henry the Fourth's expostula lation with sleep — 'Wilt thou upon the high and giddy mast Seal up the shipboy's eyes, and rock his brains In cradle of the rude imperious surge . . .' and take, as well, Hamlet's dying request to Horatio — 'If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain To tell my story . . .' Take of Milton that Miltonic passage: 'Darken'd so, yet shone Above them all the archangel; but his face Deep scars of thunder had intrench'd, and care Sat on his faded cheek . . .' add two such lines as — 'And courage never to submit or yield And what is else not to be overcome . . .* and finish with the exquisite close to the loss of Proserpine, the loss ' . . , which cost Ceres all that pain To seek her through the world.' These few lines, if we have tact and can use them, are enough even of themselves to keep clear and sound our judgments about poetry, to save us from fallacious estimates of it, to conduct us to a real estimate. The specimens I have quoted differ widely from one another, but they have in common this : the possession of the very highest poetical quality. If we are thoroughly penetrated by their power, we shall find that we have acquired a sense enabling us, whatever poetry may be laid before us, to feel the degree in which a high poetical quality is present or wanting there. Critics give themselves great labour to draw out what in the abstract constitutes the characters of a high quality of poetry. It is much better simply to have recourse to concrete examples; — to take specimens of poetry of the high, the very highest quality, and to say: The characters of a high quality 74 ARNOLD of poetry are what is expressed there. They are far better recognised by being felt in the verse of the master, than by being perused in the prose of the critic. Nevertheless if we are urgently pressed to give some critical account of them, we may safely, perhaps, venture on laying down, not indeed how and why the characters arise, but where and in what they arise. They are in the matter and substance of the poetry, and they are in its manner and style. Both of these, the substance and matter on the one hand, the style and manner on the other, have a mark, an accent, of high beauty, worth, and power. But if we are asked to define this mark and accent in the abstract, our answer must be: No, for we should thereby be darkening the question, not clearing it. The mark and accent are as given by the substance and matter of that poetry, by the style and manner of that poetry, and of all other poetry which is akin to it in quality. Only one thing we may add as to the substance and matter of poetry, guiding ourselves by Aristotle's profound observation that the superiority of poetry over history consists in its possessing a higher truth and a higher seriousness {