mm HARVARD CLASSICS -THE FIVE-FOOT SHELFOFBOOKS SidSfPSRSPSliS COMPtETE fOEMS IN ENGLISH MILTON QUO] BJQI Diiai QSI DBIlIi EBES r I )< THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. The Complete Poems o/John Milton WiM Introduction and "Notes Volume 4 P. F. Collier & Son Corporation NEW YORK Copyright, 1909 By p. F. Collikr & Sow MANUFACTURED IN U. S. A. TABLE OF CONTENTS PACE Poems Written at School and at College, 1624-1632 On the Morning of Christ's Nativity 7 A Paraphrase on Psalm CXIV 15 Psalm CXXXVI 15 On the Death of a Fair Infant Dying of a Couch ... 18 At a Vacation Exercise in the College, Part Latin, Part English 20 The Passion 23 On Shakespeare 25 On the University Carrier 26 Another on the Same 26 An Epitaph on the Marchioness of Winchester .... 27 On His Being Arrived to the Ace of Twenty-Three ... 29 Poems Written at Horton, i 632-1 638 L'Allegro 30 II Penseroso 34 Sonnet to the Nightingale 38 Song on May Morning 39 On Time 39 At a Solemn Music 40 Upon the Circumcision 40 Arcades 41 CoMus, A Mask 44 Lycidas 72 Poems Written During the Civil War and the Protectorate, 1642-1658 When the Assault Was Intended to the City 78 To a Virtuous Young Lady 78 To the Lady Margaret Ley 79 On the Detraction which Followed upon my Writing Certain Treatises 79 On the Same 80 On the New Forcers of Conscience under the Long Par- liament 80 I 2 TABLE OF CONTENTS PAGE To Mr. H. Lawes on His Airs 8i On the Religious Memory of Mrs. Catherine Thomson, my Christian Friend, deceased Dec. i6, 1646 81 On the Lord General Fairfax at the Siege of Colchester . 83 To the Lord General Cromwell, on the Proposals of Cer- tain Ministers at the Committee for the Propagation of THE Gospel 82 To Sir Henry Vane the Younger 83 On the Late Massacre in Piemont 83 On His Blindness 84 To Mr. Lawrence 84 To Cyriack Skinner 85 To the Same 85 On His Deceased Wife 86 Paradise Lost, 1658-1663 The First Book 87 The Second Book 108 The Third Book 135 The Fourth Book 154 The Fifth Book 180 The Sixth Book 204 The Seventh Book 227 The Eighth Book 243 The Ninth Book 260 The Tenth Book 290 The Eleventh Book 319 The Twelfth Book 341 Paradise Regained, 1665-1667 The First Book 359 The Second Book 371 The Third Book 384 The Fourth Book 395 Milton's Introduction to Samson Agonistes 412 Samson Agonistes, 1667-1671 414 INTRODUCTORY NOTE Among English men of letters there is none whose life and work stand in more intimate relation with the history of his times than those of Milton. Not only was he for a long jxiriod immersed in political contro- versy and public business, but there are few of his important works which do not become more significant in the light of contemporary events, and in turn help the understanding of these events themselves. It is evidence of this intimate relation, that the periods into which his life naturally falls coincide with the periods into which English history in the seven- teenth century divides itself. The first of these extends from Milton's birth to his return from Italy, and corresponds with that period in the reigns of James I and Charles I during which the religious and political differences which culminated in the Civil War were working up to a climax. The second ends with his retirement into private life, in 1660, and coincides with the period of the Civil War and the Commonwealth. The third closes with his death in 1674, and falls within the period of the Restoration. John Milton was born in Bread Street, London, on the ninth of De- cember, 1608. He was the son of John Milton, a prosperous scrivener (i. e., attorney and law-stationer), a man of good family and considerable culture, especially devoted to music. In the education of the future f)oet the elder Milton was exceptionally generous. From childhood he destined him for the Church, and the preparation begun at home was continued at St. Paul's School and at Cambridge. We have abundant evidence that the boy was from the first a quick and diligent student, and the late study to which he was addicted from childhood was the beginning of that injury to his eyes which ended in blindness. He entered Christ's College, Cambridge, in 1625, took the degree of B. A. in 1629, and that of M. A. in 1632, when he left the University after seven years' residence. But the development of aflairs in the English Church had overturned his plans, and the interference of Laud with freedom of thought and preach- ing among the clergy led Milton "to prefer a blameless silence before the sacred office of speaking bought with servitude and forswearing." So he retired to his father's house at Horton in Buckinghamshire, and devoted the next six years to quiet study and the composition of a few poems. In 1638 Milton set out on a journey to Italy. After some days in Paris, he passed on by way of Nice to Genoa, Leghorn, Pisa, and Florence, in 4 INTRODUCTORY NOTE which last city he spent about two months in the society of wits and men of letters. After two months more spent in Rome, he visited Naples, and had intended to cross to Sicily and go thence to Greece, when rumors of civil war in England led him to turn his face homeward, "inasmuch," he says, "as I thought it base to be traveling at my ease for intellectual culture while my countrymen at home were fighting for liberty." His writings produced abroad were all in Italian or Latin, and seem to have brought him considerable distinction among the Italian men of letters whom he met. Yet Milton did not plunge rashly into the political conflict. After he returned from the Continent, the household at Horton was broken up, and he went to London to resume his studies, and decide on the form and subject of his great poem. Part of his time was occupied in teaching his two nephews, and afterward he took under his care a small number of youths, sons of his friends. In 1643 he married Mary Powell, the daugh- ter of an Oxfordshire Royalist. In about a month she left him and remained away for two years, at the end of which time she sought and obtained a reconciliation. She died in 1653 or 1654, leaving him three little daughters. The main occupation of his first years in London was controversy. Liberty was Milton's deepest passion, and in liberty we sum up the theme of his prose writings. There are "three species of liberty," he says, "which are essential to the happiness of social life — religious, domestic, and civil," and for all three he fought. His most important prose works may, indeed, be roughly classed under these heads: under religious, his pamphlets against Episcopacy; under domestic, his works on Education, Divorce, and the Freedom of the Press; under civil, his controversial writings on the overthrow of the monarchy. In all of these he strove for freedom and toleration; and when England became a Republic, he became officially associated with the new government as Secretary of Foreign Tongues, in which capacity he not only conducted its foreign correspondence, but also acted as its literary adviser and champion in the controversies by pam- phlet that arose in connection with the execution of the King and the theory of the Commonwealth. It was in the midst of these activities that a great calamity overtook him. The defence of the late King had been undertaken by the famous Dutch Latinist Salmasius in a "Defensio Regis," and to Milton fell the task of replying to it. His eyesight, weak- ened even in childhood by overstudy, was now failing fast, and he was warned by physicians that it would go altogether if he persisted in this work. But to Milton the fight he had entered on was no mere matter of INTRODUCTORY NOTE 5 professional employment as it was to his opponent, and he deliberately sacrificed what remained to him of light in the service of the cause to which he was devoted. The reply was a most effective one, but it left Milton hopelessly blind. With the aid of an assistant, however, he retained his office through the Protectorate of Cromwell, until the eve of the Restoration. Oliver Cromwell died in 1658, his son Richard succeeded him for a short time, and in 1660 Charles II was restored to the throne. To the last Milton fought with tremendous earnestness against this catastrophe. For, to him, it was indeed a catastrophe. The return of the Stuarts meant to him not only great personal danger, but, what was far more impor- tant, it meant the overthrow of all that he had for twenty years sf)ent himself to uphold. It meant the setting up in government, in religion, and in society, of ideals and institutions that he could not but regard as the extreme of reaction and national degradation. Almost by a miracle he escaped personal violence, but he was of necessity forced into obscure retirement; and there, reduced in fortune, blind, and broken- hearted, he devoted himself to the production of "Paradise Lost" and "Paradise Regained." The great schemes which in his early manhood he had planned and dreamed over had for years been laid aside; but now at last he had a mournful leisure, and with magnificent fortitude he availed himself of the opportunity. "Paradise Lost" had been begun even before the King's return; in 1665 it was finished, and in 1667 the first edition appeared. "Paradise Regained" and "Samson Agonistes" were published in 1671. In 1657 Milton's second wife, Catherine Woodcock, had died. For about seven years after, he lived alone with his three daughters, whom he trained to read to him not merely in English, but in Latin, Greek, Italian, French, Spanish, and Hebrew, though they did not understand a word of what they read. What little we know of their relations to their father is not pleasant. They seem to have been rebellious and undutiful, though doubtless there was much provocation. In 1663 Milton took a third wife, Elizabeth Minshull, who did much to give ease and comfort to his last years, and who long survived him. The retirement in which he lived during this third period, when public affairs seemed to him to have gone all wrong, was not absolutely solitary. The harshness that appears in his controversial writings, and the some- what unsympathetic austerity that seems to be indicated by his relations with his first wife and his children, are to be counterbalanced in our minds by the impression of companionableness that we derive from the 6 INTRODUCTORY NOTE picture of the old blind poet, sought out by many who not merely admired his greatness, but found pleasure in his society, and counted it a privilege to talk with him and read to him. Stern and sad he could hardly fail to be, but his old age was peaceful and not bitter. He died on November 8, 1674, and was buried in the Church of St. Giles, Cripple- gate, London. In spite of Milton's association with the Puritan party in the political struggles of his time, the common habit of referring to him as "the Puritan Poet" is seriously misleading. The Puritans of the generation of Milton's father were indeed often men of culture and love of the arts, but the Puritans of the Civil War, the Puritans whom we think of to-day in our ordinary use of the term, were, in general, men who had not only no interest in art, but who regarded beauty itself as a temptation of the evil one. Even a slight study of Milton's works will convince the reader that to this class Milton could never have belonged. Side by side with his love of liberty and his enthusiasm for moral purity — qualities in which even then the Puritans had no monopoly — Milton was passion- ately devoted to beauty; and the reason why his work survives to-day is not because part of it expresses the Puritan theology, but because of its artistic qualities — above all because it is at once more faultless and more nobly sustained in music than that of any other English poet. THE POEMS OF JOHN MILTON WRITTEN AT SCHOOL AND COLLEGE 1 624- 1 632 ON THE MORNING OF CHRIST'S NATIVITY (1629) THIS is the month, and this the happy morn. Wherein the Son of Heaven's eternal King, Of wedded maid and Virgin Mother born, Our great redemption from above did bring; For so the holy sages once did sing. That he our deadly forfeit should release, And with his Father work us a perpetual peace. n That glorious Form, that Light unsuflerable, And that far-beaming blaze of majesty. Wherewith he wont at Heaven's high council-table To sit the midst of Trinal Unity, He laid aside, and, here with us to be. Forsook the Courts of everlasting Day, And chose with us a darksome house of mortal clay. Say, Heavenly Muse, shall not thy sacred vein Afford a present to the Infant God? Hast thou no verse, no hymn, or solemn strain. To welcome him to this his new abode. Now while the heaven, by the Sun's team untrod. Hath took no print of the approaching light. And all the spangled host keep watch in squadrons bright? JOHN MILTON IV See how from far upon the Eastern road The star-led Wisards haste with odours sweet! Oh! run; prevent them with thy humble ode, And lay it lowly at his blessed feet; Have thou the honour first thy Lord to greet, And join thy voice unto the Angel Quire, From out his secret altar touched with hallowed fire. The Hymn It was the winter wild. While the heaven-born child All meanly wrapt in the rude manger lies; Nature, in awe to him, Had doffed her gaudy trim. With her great Mastei so to sympathize: It was no season then for her To wanton with the Sun, her lusty Paramour. II Only with speeches fair She woos the gentle air To hide her guilty front with innocent snow. And on her naked shame. Pollute with sinful blame, The saindy veil of maiden white to throw; Confounded, that her Maker's eyes Should look so near upon her foul deformities. Ill But he, her fears to cease. Sent down the meek-eyed Peace: She, crowned with olive green, came softly sliding Down through the turning sphere, His ready Harbinger, With turtle wing the amorous clouds dividing; And, waving wide her myrde wand. She strikes a universal peace through sea and land. POEMS WRITTEN AT SCHOOL AND AT COLLEGE IV No war, or battail's sound, Was heard the world around; The idle spear and shield were high uphung; The hooked chariot stood. Unstained with hostile blood; The trumpet spake not to the armed throng; And Kings sat still with awful eye. As if they surely knew their sovran Lord was by. But peaceful was the night Wherein the Prince of Light His reign of fxjace upon the earth began. The winds, with wonder whist, Smoothly the waters kissed. Whispering new joys to the mild Ocean, Who now hath quite forgot to rave. While birds of calm sit brooding on the charmed wave. The stars, with deep amaze, Stand fixed in steadfast gaze. Bending one way their precious influence. And will not take their flight, For all the morning light. Or Lucifer that often warned them thence; But in their glimmering orbs did glow. Until their Lord himself bespake, and bid them go. VII And, though the shady gloom Had given day her room. The Sun himself withheld his wonted speed, And hid his head for shame. As his inferior flame The new<'nlightened world no more should need: He saw a greater Sun appear Than his bright Throne or burning axletree could bear. 10 JOHN MILTON VIII The Shepherds on the lawn. Or ere the point of dawn, Sat simply chatting in a rustic row; Full litde thought they than That the mighty Pan Was kindly come to live with them below: Perhaps their loves, or else their sheep, Was all that did their silly thoughts so busy keep. When such music sweet Their hearts and ears did greet As never was by mortal finger strook, Divinely-warbled voice Answering the stringed noise, As all their souls in blissful rapture took: The air, such pleasure loth to lose. With thousand echoes still prolongs each heavenly close. Nature, that heard such sound Beneath the hollow round Of Cynthia's seat the airy Region thrilling, Now was almost won To think her part was done. And that her reign had here its last fulfilling: She knew such harmony alone Could hold all Heaven and Earth in happier union. u At last surrounds their sight A globe of circular light, That with long beams the shamefaced Night arrayed; The helmed Cherubim And sworded Seraphim Are seen in glittering ranks with wings displayed, POEMS WRITTEN AT SCHOOL AND AT COLLEGE II Harping in loud and solemn quire. With unexpressive notes, to Heaven's newborn Heir. XII Such music (as 'tis said) Before was never made. But when of old the Sons of Morning sung. While the Creator great His constellations set. And the well-balanced World on hinges hung. And cast the dark foundations deep, And bid the weltering waves their oozy channel keep. Ring out, ye crystal spheres! Once bless our human ears, If ye have power to touch our senses so; And let your silver chime Move in melodious time; And let the bass of heaven's deep organ blow; And with your ninefold harmony Make up full consort to the angelic symphony. XIV For, if such holy song Enwrap our fancy long. Time will run back and fetch the Age of Gold; And speckled Vanity Will sicken soon and die, And leprous Sin will melt from earthly mould; And Hell itself will pass away, And leave her dolorous mansions to the p>eering day. XV Yes, Truth and Justice then Will down return to men, The enamelled arras of the rainbow wearing; And Mercy set between. Throned in celestial sheen, 12 JOHN MILTON With radiant feet the tissued clouds down steering; And Heaven, as at some festival, Will open wide the gates of her high palace-hall. XVI But wisest Fate says No, This must not yet be so; The Babe lies yet in smiling infancy That on the bitter cross Must redeem our loss. So both himself and us to glorify: Yet first, to those ychained in sleep, The wakeful trump of doom must thunder through the deep, XVII With such a horrid clang As on Mount Sinai rang, While the red fire and smouldering clouds outbrake: The aged Earth, aghast With terror of that blast. Shall from the surface to the centre shake, When, at the world's last session, The dreadful Judge in middle air shall spread his throne. XVIII And then at last our bliss Full and perfect is. But now begins; for from this happy day The Old Dragon under ground. In straiter limits bound, Not half so far casts his usurped sway. And, wroth to see his Kingdom fail, Swindges the scaly horror of his folded tail. XIX The Oracles are dumb; No voice or hideous hum Runs through the archW roof in words deceiving. POEMS WRITTEN AT SCHOOL AND AT COLLEGE I3 Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving. No nightly trance, or breathed spell, Inspires the pale-eyed Priest from the prophetic cell. XX The lonely mountains o'er, And the resounding shore, A voice of weeping heard and loud lament; From haunted spring, and dale Edg^d with f>oplar pale, The parting Genius is with sighing sent; With flower-inwoven tresses torn The Nymphs in twilight shade of tangled thickets mourn. XXI In consecrated earth. And on the holy hearth. The Lars and Lemures moan with midnight plaint; In urns, and altars round, A drear and dying sound Affrights the Flamens at their service quaint; And the chill marble seems to sweat. While each peculiar power forgoes his wonted seat. XXII Peor and Baalim Forsake their temples dim. With that twice-battered god of Palestine; And mooned Ashtaroth, Heaven's Queen and Mother both, Now sits not girt with tapers' holy shine: The Libyc Hammon shrinks his horn; In vain the Tyrian maids their wounded Thammuz mourn. XXIII And sullen Moloch, fled. Hath left in shadows dread His burning idol all of blackest hue; 14 JOHN MILTON In vain with cymbals' ring They call the grisly king. In dismal dance about the furnace blue; The brutish gods of Nile as fast, Isis, and Orus, and the dog Anubis, haste. xxrv Nor is Osiris seen In Memphian grove or green, Trampling the unshowered grass with lowings loud; Nor can he be at rest Within his sacred chest; Nought but profoundest Hell can be his shroud; In vain, with timbreled anthems dark. The sable-stoled Sorcerers bear his worshiped ark. XXV He feels from Juda's land The dreaded Infant's hand; The rays of Bethlehem blind his dusky eyn; Nor all the gods beside Longer dare abide, Not Typhon huge ending in snaky twine: Our Babe, to show his Godhead true. Can in his swaddling bands control the damned crew. XXVI So, when the Sun in bed, Curtained with cloudy red, Pillows his chin u[>on an orient wave. The flocking shadows pale Troop to the infernal jail, Each fettered ghost slifjs to his several grave, And the yellow-skirted Fays Fly after the night-steeds, leaving their moon-loved maze. POEMS WRITTEN AT SCHOOL AND AT COLLEGE 1 5 But see! the Virgin blest Hath laid her Babe to rest. Time is our tedious song should here have ending: Heaven's youngest-teemed star Hath fixed her polished car, Her sleeping Lord with handmaid lamp attending; And all about the courtly stable Bright-harnessed Angels sit in order serviceable. A PARAPHRASE ON PSALM CXIV (1624) When the blest seed of Terah's faithful Son After long toil their liberty had won. And passed from Pharian fields to Canaan Land, Led by the strength of the Almighty's hand, Jehovah's wonders were in Israel shown, His praise and glory was in Israel known. That saw the troubled sea, and shivering fled. And sought to hide his froth-becurled head Low in the earth; Jordan's clear streams recoil, As a faint host that hath received the foil. The high huge-bellied mountains skip like rams Amongst their ewes, the litde hills like lambs. Why fled the ocean? and why skipped the mountains? Why turned Jordan toward his crystal fountains? Shake, Earth, and at the presence be aghast Of Him that ever was and aye shall last, That glassy floods from rugged rocks can crush, And make soft rills from fiery flint-stones gush. PSALM CXXXVI LzT us with a gladsome mind Praise the Lord for he is kind; For his mercies aye endure, Ever faithful, ever sure. l6 JOHN MILTON Let us blaze his Name abroad, For of gods he is the God; For his, &c. O let us his praises tell, That doth the wrathful tyrants quell; For his, &c. That with his miracles doth make Amazed Heaven and Earth to shake; For his, &c. That by his wisdom did create The painted heavens so full of state; For his, &c. That did the solid Earth ordain To rise above the watery plain; For his, &c. That by his allon the hearth. The drowsy Nurse hath sworn she did them spy Come tripping to the room where thou didst lie. And, sweedy singing round about thy bed, Strew all their blessings on thy sleeping head. She heard them give thee this, that thou shouldst still From eyes of mortals walk invisible. Yet there is something that doth force my fear; For once it was my dismal hap to hear A Sibyl old, bow-bent with crooked age. That far events full wisely could presage. And, in Time's long and dark prospective-glass. Foresaw what future days should bring to pass. "Your Son," said she, "(nor can you it prevent,) Shall subject be to many an Accident. O'er all his Brethren he shall reign as King; Yet every one shall make him underling. And those that cannot live from him asunder Ungratefully shall strive to keep him under. In worth and excellence he shall outgo them; Yet, being above them, he shall be below them. POEMS WRITTEN AT SCHOOL AND AT COLLEGE 23 From others he shall stand in need of nothing, Yet on his Brothers shall depend for clothing. To find a foe it shall not be his hap, And peace shall lull him in her flowery lap; Yet shall he live in strife, and at his door Devouring war shall never cease to roar; Yea, it shall be his natural property To harbour those that are at enmity." What power, what force, what mighty spell, if not Your learned hands, can loose this Gordian knot? The next, QuANrrnf and Quality, spa\e in prose: then Relation was called by his name. Rivers, arise: whether thou be the son Of utmost Tweed, or Ouse, or gulfy Dun, Or Trent, who, like some earth-born Giant, spreads His thirty arms along the indented meads, Or sullen Mole, that runneth underneath. Or Sevren swift, guilty of maiden's death, Or rocky Avon, or of sedgy Lea, Or coaly Tyne, or ancient hallowed Dee, Or Humber loud, that keeps the Scythian's name, Or Medway smooth, or royal-towered Thame. The rest was prose. THE PASSION (1630) Erewhile of music, and ethereal mirth. Wherewith the stage of Air and Earth did ring. And joyous news of heavenly Infant's birth, My muse with Angels did divide to sing; But headlong joy is ever on the wing. In wintry solstice like the shortened light Soon swallowed up in dark and long outliving night. n For now to sorrow must I tune my song. And set my Harp to notes of saddest woe, 24 JOHN MILTON Which on our dearest Lord did seize ere long, Dangers, and snares, and wrongs, and worse than so, Which he for us did freely undergo: Most perfect Hero, tried in heaviest plight Of labours huge and hard, too hard for human wightt III He, sovran Priest, stooping his regal head, That dropt with odorous oil down his fair eyes, Poor fleshly Tabernacle entered, His starry front low-roofed beneath the skies: Oh, what a mask was there, what a disguise! Yet more: the stroke of death he must abide; Then lies him meekly down fast by his Brethren's side. nr These latest scenes confine my roving verse; To this horizon is my Phoebus bound. His godlike acts, and his temptations fierce. And former sufferings, otherwhere are found; Loud o'er the rest Cremona's trump doth sound: Me softer airs befit, and softer strings Of lute, or viol still, more apt for mournful things. Befriend me. Night, best Patroness of grief! Over the pole thy thickest mantle throw. And work my flattered fancy to belief That Heaven and Earth are coloured with my woe; My sorrows are too dark for day to know: The leaves should all be black whereon I write, And letters, where my tears have washed, a wannish white. VI See, see the chariot, and those rushing wheels. That whirled the prophet up at Chebar flood; My spirit some transporting Cherub feels POEMS WRITTEN AT SCHOOL AND AT COLLEGE 25 To bear me where the Towers of Salem stood, Once glorious towers, now sunk in guiltless blood. There doth my soul in holy vision sit. In pensive trance, and anguish, and ecstatic fit. Mine eye hath found that sad sepulchral rock That was the casket of Heaven's richest store, And here, though grief my feeble hands up-lock, Yet on the softened quarry would I score My plaining verse as lively as before; For sure so well instructed are my tears That they would fidy fall in ordered characters. Or, should I thence, hurried on viewless wing, Take up a weeping on the mountains wild, The gende neighbourhood of grove and spring Would soon unbosom all their Echoes mild; And I (for grief is easily beguiled) Might think the infection of my sorrows loud Had got a race of mourners on some pregnant cloud. This Subject the Author finding to be above the years he had when he wrote it, and nothing satisfied with what was begun, left it unfinished. ON SHAKESPEARE (1630) What needs my Shakespeare, for his honoured bones, The labour of an age in piled stones? Or that his hollowed relics should be hid Under a star-ypointing pyramid? Dear son of Memory, grest heir of Fame, What need'st thou such weak witness of thy name? Thou, in our wonder and astonishment, Hast built thyself a livelong monument. For whilst, to the shame of slow-endeavouring art. Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book. 26 JOHN MILTON Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pwrnp dost lie, That kings for such a tomb would wish to die. ON THE UNIVERSITY CARRIER Who sickened in the time of hit Vacancy, being forbid to go to London by reason of the Plague. (1631) Here lies old Hobson. Death hath broke his girt. And here, alas! hath laid him in the dirt; Or else, the ways being foul, twenty to one He's here stuck in a slough, and overthrown. "T was such a shifter that, if truth were known, Death was half glad when he had got him down; For he had any time this ten years full Dodged with him betwixt Cambridge and The Bull. And surely Death could never have prevailed. Had not his weekly course of carriage failed; But lately, finding him so long at home. And thinking now his journey's end was come, And that he had ta'en up his latest Inn, In the kind ofifice of a Chamberlin Showed him his room where he must lodge that night, Pulled off his boots, and took away the light. If any ask for him, it shall be said, "Hobson has supped, and 's newly gone to bed." ANOTHER ON THE SAME Here lieth one who did most truly prove That he could never die while he could move; So hung his destiny, never to rot While he might still jog on and keep his trot; Made of sphere-metal, never to decay Until his revolution was at stay. Time numbers Motion, yet (without a crime 'Gainst old truth) Motion numbered out his time; And, like an engine moved with wheel and weight, POEMS WRITTEN AT SCHOOL AND AT COLLEGE T] His principles being ceased, he ended straight. Rest, that gives all men life, gave him his death, And too much breathing put him out of breath; Nor were it contradiction to affirm Too long vacation hastened on his term. Merely to drive the time away he sickened, Fainted, and died, nor would with ale be quickened. "Nay," quoth he, on his swooning bed outstretched, "If I may n't carry, sure I'll ne'er be fetched, But vow, though the cross Doctors all stood hearers. For one carrier put down to make six bearers." Ease was his chief disease; and, to judge right. He died for heaviness that his cart went light. His leisure told him that his time was come. And lack of load made his life burdensome, That even to his last breath (there be that say 't), As he were pressed to death, he cried, "More weight!" But, had his doings lasted as they were, He had been an immortal Carrier. Obedient to the moon he spent his date In course reciprocal, and had his fate Linked to the mutual flowing of the seas; Yet (strange to think) his wain was his increase. His letters are delivered all and gone; Only remains this superscription. AN EPITAPH ON THE MARCHIONESS OF WINCHESTER This rich marble doth inter The honoured wife of Winchester, A viscount's daughter, an earl's heir. Besides what her virtues fair Added to her noble birth, More than she could own from earth. Summers three times eight save one She had told; alas! too soon. After so short time of breath. To house with darkness and with death! Yet, had the number of her days Been as complete as was her praise. 28 JOHN MILTON Nature and Fate had had no strife In giving limit to her life. Her high birth and her graces sweet Quickly found a lover meet; The virgin quire for her request The god that sits at marriage-feast; He at their invoking came, But with a scarce well-lighted flame; And in his garland, as he stood. Ye might discern a cypress-bud. Once had the early Matrons run To greet her of a lovely son. And now with second hope she goes. And calls Lucina to her throes; But, whether by mischance or blame, Atropos for Lucina came. And with remorseless cruelty Spoiled at once both fruit and tree. The hapless babe before his birth Had burial, yet not laid in earth; And the languished mother's womb Was not long a living tomb. So have I seen some tender slip. Saved with care from Winter's nip. The pride of her carnation train. Plucked up by some unheedy swain. Who only thought to crop the flower New shot up from vernal shower; But the fair blossom hangs the head Sideways, as on a dying bed. And those pearls of dew she wears Prove to be presaging tears Which the sad morn had let fall On her hastening funeral. Gentle Lady, may thy grave Peace and quiet ever havel After this thy travail sore. Sweet rest seize thee evermore. That, to give the world encrease. Shortened hast thy own life's lease! POEMS WRITTEN AT SCHOOL AND AT COLLEGE 29 Here, besides the sorrowing That thy noble House doth bring, Here be tears of perfect moan Weept for thee in Helicon; And some flowers and some bays For thy hearse, to strew the ways, Sent thee from the banks of Came, Devoted to thy virtuous name; Whilst thou, bright Saint, high sitt'st in glory. Next her, much like to thee in story, That fair Syrian Shepherdess, Who, after years of barrenness. The highly-favoured Joseph bore To him that served for her before. And at her next birth, much like thee, Through pangs fled to felicity. Far within the bosom bright Of blazing Majesty and Light: There with thee, new-welcome Saint, Like fortunes may her soul acquaint. With thee there clad in radiant sheen, No Marchioness, but now a Queen. ON HIS BEING ARRIVED TO THE AGE OF TWENTY-THREE (1631) How soon hath Time, the subtle thief of youth. Stolen on his wing my three and twentieth year! My hasting days fly on with full career, But my late spring no bud or blossom shew'th. Perhaps my semblance might deceive the truth. That I to manhood am arrived so near, And inward ripeness doth much less appear, That some more timely-happy spirits indu'th. Yet be it less or more, or soon or slow. It shall be still in strictest measure even To that same lot, however mean or high, Toward which Time leads me, and the will of Heaven^, All is, if I have grace to use it so. As ever in my great Task-master's eye. POEMS WRITTEN AT HORTON 1632-1638 L'ALLEGRO (1633) HENCE, loathed Melancholy, Of Certx;rus and blackest Midnight born. In Stygian cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy. Find out some uncouth cell, Where brooding Darkness spreads his jealous wings. And the night-raven sings; There under ebon shades, and low-browed rocks. As ragged as thy locks. In dark Cimmerian desert ever dwell. But come, thou Goddess fair and free. In heaven ydep'd Euphrosyne, And by men, heart-easing Mirth, Whom lovely Venus at a birth With two sister Graces more To ivy-crowned Bacchus bore; Or whether (as some sager sing) The frolic Wind that breathes the spring. Zephyr with Aurora playing. As he met her once a-Maying, There on beds of violets blue, And fresh-blown roses washed in dew, Filled her with thee, a daughter fair. So buxom, blithe and debonair. Haste thee, Nymph, and bring with thee Jest and youthful Jollity, Quips, and Cranks, and wanton Wiles, 30 POEMS WRITTEN AT HORTON 3 1 Nods, and Becks, and wreathed Smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sp>ort that wrinkled Care derides. And Laughter holding both his sides. Come, and trip it as ye go. On the light fantastic toe; And in thy right hand lead with thee The mountain Nymph, sweet Liberty; And, if I give thee honour due, Mirth, admit me of thy crew. To live with her, and live with thee, In unreproved pleasures free; To hear the lark begin his flight. And singing starde the dull night. From his watch-tower in the skies. Till the dappled Dawn doth rise; Then to come, in spite of sorrow. And at my window bid good-morrow, Through the sweet-briar or the vine. Or the twisted eglantine; While the cock with lively din Scatters the rear of Darkness thin; And to the stack, or the barn-door, Stoudy struts his dames before: Oft listening how the hounds and horn Cheerly rouse the slumbering Morn, From the side of some hoar hill. Through the high wood echoing shrill: Sometime walking, not unseen. By hedgerow elms, on hillocks green. Right against the eastern gate. Where the great Sun begins his state. Robed in flames and amber light, The clouds in thousand liveries dight; While the ploughman, near at hand, Whistles o'er the furrowed land. And the milkmaid singeth blithe, And the mower whets his scythe. And every shepherd tells his tale 32 JOHN MILTON Under the hawthorn in the dale. Straight mine eye hath caught new pleasures. Whilst the lantskip round it measures: Russet lawns, and fallows gray, Where the nibbling flocks do stray; Mountains on whose barren breast The labouring clouds do often rest; Meadows trim with daisies pied; Shallow brooks, and rivers wide. Towers and batdements it sees Bosomed high in tufted trees. Where perhaps some Beauty lies, The Cynosure of neighbouring eyes. Hard by, a cottage chimney smokes From betwixt two aged oaks, Where Corydon and Thyrsis met Are at their savoury dinner set Of hearbs and other country messes. Which the neat-handed Phillis dresses; And then in haste her bower she leaves, With Thestylis to bind the sheaves; Or, if the earlier season lead, To the tanned haycock in the mead. Sometimes with secure delight The upland hamlets will invite, When the merry bells ring round. And the jocond rebecks sound To many a youth and many a maid Dancing in the chequered shade; And young and old come forth to play On a sunshine holyday. Till the livelong daylight fail: Then to the spicy nut-brown ale, With stories told of many a feat. How fairy Mab the junkets eat: She was pinched and pulled, she said; And he, by Friar's lanthorn led, Tells how the drudging Goblin sweat To earn his cream-bowl duly set, When in one night, ere glimpse of morn. POEMS WRITTEN AT HORTON 33 His shadowy flail hath threshed the corn That ten day-labourers could not end; Then lies him down, the lubber fiend, And, stretched out all the chimney's length. Basks at the fire his hairy strength. And crop-full out of doors he flings. Ere the first cock his matin rings. Thus done the tales, to bed they creep. By whispering winds soon lulled asleep. Towered cities please us then, And the busy hum of men. Where throngs of Knights and Barons bold. In weeds of peace, high triumphs hold, With store of Ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend. There let Hymen oft appear In saffron robe, with taper clear. And pomp, and feast, and revelry, With mask and antique pageantry; Such sights as youthful Poets dream On summer eves by haunted stream. Then to the well-trod stage anon. If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child. Warble his native wood-notes wild. And ever, against eating cares. Lap me in soft Lydian airs. Married to immortal verse. Such as the meeting soul may pierce. In notes with many a winding; bout Of linked sweetness long drawn out With wanton heed and giddy cunning. The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus' self may heave his head From golden slumber on a bed Of heaped Elysian flowers, and hear 34 JOHN MILTON Such strains as would have won the ear Of Pluto to have quite set free His half-regained Eurydice. These delights if thou canst give, Mirth, with thee I mean to live. IL PENSEROSO (1633) Hence, vain deluding Joys, The brood of Folly without father bred! How litde you bested, Or fill the fixed mind with all your toys! Dwell in some idle brain. And fancies fond with gaudy shapes possess, As thick and numberless As the gay motes that fjeople the sunbeams. Or likest hovering dreams, The fickle pensioners of Morpheus' train. But hail! thou Goddess sage and holy! Hail, divinest Melancholy! Whose saintly visage is too bright To hit the sense of human sight. And therefore to our weaker view O'erlaid with black, staid Wisdom's hue; Black, but such as in esteem Prince Memnon's sister might beseem, Or that starred Ethiop Queen that strove To set her beauty's praise above The Sea-Nymphs, and their powers offended. Yet thou art higher far descended: Thee bright-haired Vesta long of yore To solitary Saturn bore; His daughter she; in Saturn's reign Such mixture was not held a stain. Oft in glimmering bowers and glades He met her, and in secret shades Of woody Ida's inmost grove. Whilst yet there was no fear of Jove. Come, fjensive Nun, devout and pure. POEMS WRITTEN AT HORTON 35 Sober, steadfast, and demure. All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait. And looks commercing with the skies, Thy rapt soul sitting in thine eyes: There, held in holy passion still. Forget thyself to marble, till With a sad leaden downward cast Thou fix them on the earth as fast. And join with thee calm Peace and Quiet, Spare Fast, that oft with gods doth diet. And hears the Muses in a ring Aye round about Jove's altar sing; And add to these retired Leisure, That in trim gardens takes his pleasure; But, first and chieftest, with thee bring Him that yon soars on golden wing, Guiding the fiery-wheeled throne. The Cherub Contemplation; And the mute Silence hist along, 'Less Philomel will deign a song, In her sweetest saddest plight. Smoothing the rugged brow of Night, While Cynthia checks her dragon yoke Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly. Most musical, most melancholy! Thee, Chauntress, oft the woods among I woo, to hear thy even-song; And, missing thee, I walk unseen On the dry smooth-shaven green, To behold the wandering Moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way. And oft, as if her head she bowed. 36 JOHN MILTON Stooping through a fleecy cloud. Oft, on a plat of rising ground, I hear the far-ofi curfew sound, Over some wide-watered shore. Swinging slow with sullen roar; Or, if the air will not permit. Some still removed place will fit. Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth. Save the cricket on the hearth. Or the Bellman's drowsy charm To bless the doors from nightly harm. Or let my lamp, at midnight hour, Be seen in some high lonely tower. Where I may oft outwatch the Bear, With thrice-great Hermes, or unsphere The spirit of Plato, to unfold What worlds or what vast regions hold The immortal mind that hath forsook Her mansion in this fleshly nook; And of those Daemons that are found In fire, air, flood, or underground. Whose power hath a true consent With planet or with element. Sometime let gorgeous Tragedy In sceptred pall come sweeping by. Presenting Thebs, or Pelops' line. Or the tale of Troy divine. Or what (though rare) of later age Ennobled hath the buskined stage. But, O sad Virgin! that thy pwwer Might raise Musacus from his bower; Or bid the soul of Orpheus sing Such notes as, warbled to the string, Drew iron tears down Pluto's cheek. And made Hell grant what Love did seek; Or call up him that left half-told The story of Cambuscan bold. Of Camball, and of Algarsife, POEMS WRITTEN AT HORTON 37 And who had Canace to wife, That owned the virtuous ring and glass, And of the wondrous horse of brass On which the Tartar King did ride; And if aught else great Bards beside In sage and solemn tunes have sung, Of turneys, and of trophies hung, Of forests, and inchantments drear. Where more is meant than meets the ear. Thus, Night, oft see me in thy pale career. Till civil-suited Morn appear. Not tricked and frounced, as she wont With the Attic boy to hunt, But kerchieft in a comely cloud, While rocking winds are piping loud, Or ushered with a shower still. When the gust hath blown his fill. Ending on the rustling leaves. With minute drops from off the eaves. And, when the sun begins to fling His flaring beams, me. Goddess, bring To arched walks of twilight groves. And shadows brown, that Sylvan loves. Of pine, or monumental oak. Where the rude axe with heaved stroke Was never heard the Nymphs to daunt. Or fright them from their hallowed haunt. There, in close covert, by some brook. Where no profaner eye may look. Hide me from Day's garish eye. While the bee with honeyed thigh. That at her flowery work doth sing. And the waters murmuring. With such consort as they keep. Entice the dewy-feathered Sleep. And let some strange mysterious dream. Wave at his wings in airy stream. Of lively portraiture displayed. Softly on my eyelids laid. And as I wake, sweet music breathe 38 JOHN MILTON Above, about, or underneath. Sent by some Spirit to mortals good. Or the unseen Genius of the wood. But let my due feet never fail To walk the studious cloister's pale, And love the high embowed roof. With antick pillars massy proof. And storied windows richly dight, Casting a dim religious light. There let the pealing organ blow, To the full voiced Quire below. In service high and anthems clear. As may with sweetness, through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes. And may at last my weary age Find out the peaceful hermitage. The hairy gown and mossy cell. Where I may sit and rightly spell. Of every star that Heaven doth shew. And every hearb that sips the dew; Till old experience do attain To something like prophetic strain. These pleasures, Melancholy, give, And I with thee will choose to live. SONNET TO THE NIGHTINGALE (1632-33) O Nightingale that on yon blooming spray Warblest at eve, when all the woods are still, Thou with fresh hof)es the Lover's heart dost fill, While the jolly Hours lead on propitious May. Thy liquid notes that close the eye of Day, First heard before the shallow cuckoo's bill. Portend success in love. O if Jove's will Have linked that amorous power to thy soft lay, Now timely sing, ere the rude bird of hate Foretell my hopeless doom, in some grove nigh; As thou from year to year hast sung too late For my relief, yet had'st no reason why. POEMS WRITTEN AT HORTON 39 Whether the Muse or Love call thee his mate, Both them I serve, and of their train am I. SONG ON MAY MORNING (1632-33) Now the bright morning-star. Day's harbinger. Comes dancing from the East, and leads with her The flowery May, who from her green lap throws The yellow cowslip and the pale primrose. Hail, bounteous May, that dost inspire Mirth, and youth, and warm desire! Woods and groves are of thy dressing; Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And welcome thee, and wish thee long. ON TIME (1633-34) Fly, envious Time, till thou run out thy race: Call on the lazy leaden-stepping Hours, Whose speed is but the heavy plummet's pace; And glut thyself with what thy womb devours. Which is no more than what is false and vain. And merely mortal dross; So little is our loss. So little is thy gain! For, whenas each thing bad thou hast entombed, And, last of all, thy greedy Self consumed. Then long eternity shall greet our bliss With an individual kiss, And joy shall overtake us as a flood; When everything that is sincerely good And perfecdy divine. With Truth, and Peace, and Love, shall ever shine About the supreme Throne Of Him, to whose happy-making sight alone When once our heavenly-guided soul shall climb, Then, all this earthly grossness quit. Attired with stars we shall forever sit. Triumphing over Death, and Chance, and thee, O Time! 40 JOHN MILTON AT A SOLEMN MUSIC (1633-34) Blest pair of Sirens, pledges of Heaven's joy. Sphere-born harmonious Sisters, Voice and Verse, Wed your divine sounds, and mixed fwwer employ. Dead things with inbreathed sense able to pierce; And to our high-raised phantasy present That undisturbed Song of pure consent, Aye sung before the sapphireerhaps are not far ofl. SONO Sweet Echo, sweetest Nymph, that liv'st unseen Within thy airy shell By slow Meander's margent green. And in the violet-imbroidered vale Where the love-lorn Nightingale Nightly to thee her sad song mourneth well: Canst thou not tell me of a gende pair COMUS 51 That likest thy Narcissus are? O if thou have Hid them in some flowery cave, Tell me but where, Sweet Queen of Parley, Daughter of the Sphere! So may'st thou be translated to the skies. And give resounding grace to all Heaven's harmonies! Comus. Can any mortal mixture of earth's mould Breathe such divine inchanting ravishment? Sure something holy lodges in that breast, And with these raptures moves the vocal air To testify his hidden residence. How sweetly did they float upon the wings Of silence, through the empty-vaulted night. At every fall smoothing the raven down Of darkness till it smiled! I have oft heard My mother Circe with the Sirens three, Amidst the flowery-kirtled Naiades, Culling their potent hearbs and baleful drugs. Who, as they sung, would take the prisoned soul, And lap it in Elysium: Scylla wept. And chid her barking waves into attention. And fell Charybdis murmured soft applause. Yet they in pleasing slumber lulled the sense. And in sweet madness robbed it of itself; But such a sacred and home-felt delight. Such sober certainty of waking bliss, I never heard till now. I'll speak to her. And she shall be my Queen. — Hail, foreign wonder! Whom certain these rough shades did never breed. Unless the Goddess that in rural shrine Dwell'st here with Pan or Sylvan, by blest song Forbidding every bleak unkindly fog To touch the prosperous growth of this tall wood. Lady. Nay, gende shepherd, ill is lost that praise That is addressed to unattending ears. Not any boast of skill, but extreme shift How to regain my severed comjjany. Compelled me to awake the courteous Echo To give me answer from her mossy couch. Comus. What chance, good Lady, hath bereft you thus.' 52 JOHN MILTON Lady. Dim darkness and this leavy labyrinth. Comus. Could that divide you from near-ushering guides? Lady. They left me weary on a grassy turf. Comus. By falsehood, or discourtesy, or why? Lady. To seek i' the valley some cool friendly spring. Comus. And left your fair side all unguarded, Lady? Lady. They were but twain, and purposed quick return. Comus. Perhaps forestalling night prevented them. Lady. How easy my misfortune is to hit! Comus. Imports their loss, beside the present need? Lady. No less than if I should my brothers lose. Comus. Where they of manly prime, or youthful bloom? Lady. As smooth as Hebe's their unrazored lips. Comus. Two such I saw, what time the laboured ox In his loose traces from the furrow came. And the swinked hedger at his supper sat. I saw them under a green manding vine. That crawls along the side of yon small hill. Plucking ripe clusters from the tender shoots; Their port was more than human, as they stood. I took it for a faery vision Of some gay creatures of the element, That in the colours of the rainbow live. And play i' the plighted clouds. I was awe-strookf And, as I passed, I worshiped. If those you seek, It were a journey like the path to Heaven To help you find them. Lady. Gentle villager, What readiest way would bring me to that place? Comus. Due west it rises from this shrubby point. Lady. To find out that, good Shepherd, I suppose. In such a scant allowance of star-light. Would overtask the best land-pilot's art. Without the sure guess of well-practised feet. Comus. I know each lane, and every alley green. Dingle, or bushy dell, of this wild wood. And every bosky bourn from side to side, coMus 53 My daily walks and ancient neighbourhood; And, if your stray attendance be yet lodged, Or shroud within these limits, I shall know Ere morrow wake, or the low-roosted lark From her thatched pallet rouse. If otherwise, I can conduct you. Lady, to a low But loyal cottage, where you may be safe Till further quest. Lady. Shepherd, I take thy word, And trust thy honest-offered courtesy, Which oft is sooner found in lowly sheds. With smoky rafters, than in tapestry halls And courts of princes, where it first was named, And yet is most pretended. In a place Less warranted than this, or less secure, I cannot be, that I should fear to change it. Eye me, blest Providence, and square my trial To my proportioned strength! Shepherd, lead on. . . . The Two Brothers Eld. Bro. UnmufiBe, ye faint stars; and thou, fair Moon, That wont'st to love the travailler's benison. Stoop thy pale visage through an amber cloud. And disinherit Chaos, that reigns here In double night of darkness and of shades; Or, if your influence be quite dammed up With black usurping mists, some gentle tap>er, Though a rush